Cookies help us run our site more efficiently.

By clicking “Accept”, you agree to the storing of cookies on your device to enhance site navigation, analyze site usage, and assist in our marketing efforts. View our Privacy Policy for more information or to customize your cookie preferences.

Accept Deny

GoGreenNation news

How global transport is getting greener, safer, and smarter

News Feed
Sunday, April 21, 2024

The global transport industry is always evolving. A decade ago, there was a big appetite for autonomous vehicles and cloud computing. These days, the industry is driven by a dual focus on decarbonization and automation across all layers of mobility—road, sea, rail, and air. On the decarbonization front, the broader transportation sector certainly has its work cut out for it. The marine transportation industry, for one, has been under intense scrutiny for its high pollution levels. The nonprofit Our Shared Seas found emissions from the maritime shipping sector are up to one billion tonnes of GHGs every year—the equivalent of an industrialized country like Germany or Japan. For context, that’s about 3% of total global emissions. Left unchecked, this will grow to 130% by 2050, per Our Shared Seas. The aviation industry faces a similar challenge in decarbonization due to the limitations of battery technology for long-haul flights. Now, some good news: Gartner predicts that by 2025, “20% of all new vehicles sold will be electric,” and indeed we are now at the cusp of a massive move to not just make the entire global transport industry greener, but also smarter and safer. THE RACE TO SMARTER, SAFER, AND GREENER ROADS Road transportation is seeing several innovations, as the quest to build smarter, safer, and more environmentally friendly vehicles grows stronger. Major regulatory shifts from governing bodies in the U.S. and  EU are redefining vehicle-safety standards, mandating that vehicles have built-in driver-distraction-monitoring systems that can detect drowsiness, child presence, driver impairment, and more. Some companies are responding to these regulations with cutting-edge innovations that enhance driver monitoring and detection. Although legacy automakers like Ford, Toyota, Nissan, and Tesla didn’t join CES 2024, software-defined autotech products for vehicle safety from leading companies like Cipia, Mobileye, and Smart Eye were some of the major products that headlined the show, spotlighting the race to a smarter and safer future for road transportation.  However, the transition to EVs is not without its challenges. Building a robust charging infrastructure is crucial for widespread adoption, as McKinsey notes in its report on how battery makers can respond to surging demand from EVs. Additionally, ensuring the responsible sourcing and disposal of battery materials is critical for the long-term sustainability of this technology. Cipia, a publicly traded Israel-based computer-vision AI company, is helping to build toward safer mobility experiences for road transportation. The company, which uses computer-vision AI for driver and in-cabin sensing, helps “to make cars better understand, cater to, and predict people’s needs,” says Yehuda Holtzman, CEO at Cipia Vision, addomg that the company’s driver monitoring and in-cabin solutions are getting ready for a new era of driving where autonomy meets safety. For Holtzman, the future of road transportation is a combination of smarter and safer vehicular mobility. And he believes the technologies that will enable that future  are already here and getting better by the minute. “As the industry continues to evolve, we will see more iterations and newer innovations in the journey toward making road transportation safer and more enjoyable. Cipia’s technology is poised to be a key player in this transformative journey toward safer, smarter roads,” he notes. Other experts agree with Holtzman, with a report by McKinsey noting that we’ll see “a mobility ecosystem that is more intelligent, seamless, and environmentally friendly” within the next decade. DECARBONIZING THE SEAS  Storms of pollution continue to rage on the high seas. Per a report from Sinay on the state of the global transport sector, “Shipping claims the third position in terms of carbon dioxide emissions, comprising 11% of the total, trailing closely behind passenger vehicles at 39%, and medium to heavy trucks at 23%.” The report further said that, if proactive measures are not taken, the maritime sector’s carbon footprint will potentially rise by 50% to 250% by the year 2050. But some companies are combating this challenge head on. One such company is Swedish manufacturer and Volvo subsidiary, Volvo Penta. A few months ago at CES 2024, the company launched a new inboard performance system (IPS) professional platform, describing it as “the industry’s most advanced technology and propulsion platform for commercial marine vessels and super yachts,” adding that the system could deliver about 30% fuel efficiency and cut down on emissions. Johan Inden, president of marine business at Volvo Penta, tells Fast Company that the IPS professional platform heralds a new era of sustainability and efficiency, offering tangible benefits for commercial and recreational vessels. “By embracing hybrid and electric solutions, Volvo Penta aims to spearhead the decarbonization of the marine industry, driving positive change on a global scale,” he says. Volvo Penta’s IPS professional platform combines an advanced propeller architecture and intelligent power-drive system to power its eco-mode feature—an intelligent solution that automatically manages vessel propulsion in real time and optimizes fuel consumption and engine-running hours. SUSTAINABLE AVIATION While the aviation industry faces a major sustainability challenge, advancements in biofuels and sustainable aviation fuels (SAF) offer a promising path forward (biofuels are derived from renewable sources like plant oils and waste materials, while SAFs are synthetic fuels with similar properties to traditional jet fuel but with a lower carbon footprint). Electric and hybrid-electric propulsion systems are also being explored for shorter regional flights. Although these technologies are still in their early stages of development, they are poised to elevate the future of sustainable air travel.  Air traffic management systems are also undergoing modernization to optimize flight paths and reduce fuel consumption. These advancements, added to the implementation of new airspace design concepts, can significantly reduce emissions from the aviation sector, as the U.S. Federal Aviation Administration (FAA) explains in detail. CONNECTED MOBILITY IS THE FUTURE The future of mobility lies in a connected ecosystem that combines tech advancements across road, sea, rail, and air. Imagine a world where efficient electric vehicles seamlessly connect with autonomous public transportation systems, supplemented by a network of micromobility options for short trips. A world where cleaner ships powered by alternative fuels navigate optimized routes, minimizing environmental impact and intelligent port automation systems, further streamline logistics and reduce congestion. As some experts already note, air travel will become more sustainable with a combination of biofuels, electric and hybrid-electric regional aircrafts, and optimized air traffic management. Data analytics will also play a crucial role in optimizing traffic flow across all modes of transportation, further reducing emissions and improving efficiency. The journey toward a decarbonized transport sector will be a long one, requiring continued investment in research and development, collaboration between governments and industries, and a shift in consumer behavior toward sustainable travel options. But the potential benefits are significant: A cleaner planet, a more efficient transport system, and a healthier future for all.

The global transport industry is always evolving. A decade ago, there was a big appetite for autonomous vehicles and cloud computing. These days, the industry is driven by a dual focus on decarbonization and automation across all layers of mobility—road, sea, rail, and air. On the decarbonization front, the broader transportation sector certainly has its work cut out for it. The marine transportation industry, for one, has been under intense scrutiny for its high pollution levels. The nonprofit Our Shared Seas found emissions from the maritime shipping sector are up to one billion tonnes of GHGs every year—the equivalent of an industrialized country like Germany or Japan. For context, that’s about 3% of total global emissions. Left unchecked, this will grow to 130% by 2050, per Our Shared Seas. The aviation industry faces a similar challenge in decarbonization due to the limitations of battery technology for long-haul flights. Now, some good news: Gartner predicts that by 2025, “20% of all new vehicles sold will be electric,” and indeed we are now at the cusp of a massive move to not just make the entire global transport industry greener, but also smarter and safer. THE RACE TO SMARTER, SAFER, AND GREENER ROADS Road transportation is seeing several innovations, as the quest to build smarter, safer, and more environmentally friendly vehicles grows stronger. Major regulatory shifts from governing bodies in the U.S. and  EU are redefining vehicle-safety standards, mandating that vehicles have built-in driver-distraction-monitoring systems that can detect drowsiness, child presence, driver impairment, and more. Some companies are responding to these regulations with cutting-edge innovations that enhance driver monitoring and detection. Although legacy automakers like Ford, Toyota, Nissan, and Tesla didn’t join CES 2024, software-defined autotech products for vehicle safety from leading companies like Cipia, Mobileye, and Smart Eye were some of the major products that headlined the show, spotlighting the race to a smarter and safer future for road transportation.  However, the transition to EVs is not without its challenges. Building a robust charging infrastructure is crucial for widespread adoption, as McKinsey notes in its report on how battery makers can respond to surging demand from EVs. Additionally, ensuring the responsible sourcing and disposal of battery materials is critical for the long-term sustainability of this technology. Cipia, a publicly traded Israel-based computer-vision AI company, is helping to build toward safer mobility experiences for road transportation. The company, which uses computer-vision AI for driver and in-cabin sensing, helps “to make cars better understand, cater to, and predict people’s needs,” says Yehuda Holtzman, CEO at Cipia Vision, addomg that the company’s driver monitoring and in-cabin solutions are getting ready for a new era of driving where autonomy meets safety. For Holtzman, the future of road transportation is a combination of smarter and safer vehicular mobility. And he believes the technologies that will enable that future  are already here and getting better by the minute. “As the industry continues to evolve, we will see more iterations and newer innovations in the journey toward making road transportation safer and more enjoyable. Cipia’s technology is poised to be a key player in this transformative journey toward safer, smarter roads,” he notes. Other experts agree with Holtzman, with a report by McKinsey noting that we’ll see “a mobility ecosystem that is more intelligent, seamless, and environmentally friendly” within the next decade. DECARBONIZING THE SEAS  Storms of pollution continue to rage on the high seas. Per a report from Sinay on the state of the global transport sector, “Shipping claims the third position in terms of carbon dioxide emissions, comprising 11% of the total, trailing closely behind passenger vehicles at 39%, and medium to heavy trucks at 23%.” The report further said that, if proactive measures are not taken, the maritime sector’s carbon footprint will potentially rise by 50% to 250% by the year 2050. But some companies are combating this challenge head on. One such company is Swedish manufacturer and Volvo subsidiary, Volvo Penta. A few months ago at CES 2024, the company launched a new inboard performance system (IPS) professional platform, describing it as “the industry’s most advanced technology and propulsion platform for commercial marine vessels and super yachts,” adding that the system could deliver about 30% fuel efficiency and cut down on emissions. Johan Inden, president of marine business at Volvo Penta, tells Fast Company that the IPS professional platform heralds a new era of sustainability and efficiency, offering tangible benefits for commercial and recreational vessels. “By embracing hybrid and electric solutions, Volvo Penta aims to spearhead the decarbonization of the marine industry, driving positive change on a global scale,” he says. Volvo Penta’s IPS professional platform combines an advanced propeller architecture and intelligent power-drive system to power its eco-mode feature—an intelligent solution that automatically manages vessel propulsion in real time and optimizes fuel consumption and engine-running hours. SUSTAINABLE AVIATION While the aviation industry faces a major sustainability challenge, advancements in biofuels and sustainable aviation fuels (SAF) offer a promising path forward (biofuels are derived from renewable sources like plant oils and waste materials, while SAFs are synthetic fuels with similar properties to traditional jet fuel but with a lower carbon footprint). Electric and hybrid-electric propulsion systems are also being explored for shorter regional flights. Although these technologies are still in their early stages of development, they are poised to elevate the future of sustainable air travel.  Air traffic management systems are also undergoing modernization to optimize flight paths and reduce fuel consumption. These advancements, added to the implementation of new airspace design concepts, can significantly reduce emissions from the aviation sector, as the U.S. Federal Aviation Administration (FAA) explains in detail. CONNECTED MOBILITY IS THE FUTURE The future of mobility lies in a connected ecosystem that combines tech advancements across road, sea, rail, and air. Imagine a world where efficient electric vehicles seamlessly connect with autonomous public transportation systems, supplemented by a network of micromobility options for short trips. A world where cleaner ships powered by alternative fuels navigate optimized routes, minimizing environmental impact and intelligent port automation systems, further streamline logistics and reduce congestion. As some experts already note, air travel will become more sustainable with a combination of biofuels, electric and hybrid-electric regional aircrafts, and optimized air traffic management. Data analytics will also play a crucial role in optimizing traffic flow across all modes of transportation, further reducing emissions and improving efficiency. The journey toward a decarbonized transport sector will be a long one, requiring continued investment in research and development, collaboration between governments and industries, and a shift in consumer behavior toward sustainable travel options. But the potential benefits are significant: A cleaner planet, a more efficient transport system, and a healthier future for all.

The global transport industry is always evolving. A decade ago, there was a big appetite for autonomous vehicles and cloud computing. These days, the industry is driven by a dual focus on decarbonization and automation across all layers of mobility—road, sea, rail, and air.

On the decarbonization front, the broader transportation sector certainly has its work cut out for it. The marine transportation industry, for one, has been under intense scrutiny for its high pollution levels. The nonprofit Our Shared Seas found emissions from the maritime shipping sector are up to one billion tonnes of GHGs every year—the equivalent of an industrialized country like Germany or Japan. For context, that’s about 3% of total global emissions. Left unchecked, this will grow to 130% by 2050, per Our Shared Seas. The aviation industry faces a similar challenge in decarbonization due to the limitations of battery technology for long-haul flights.

Now, some good news: Gartner predicts that by 2025, “20% of all new vehicles sold will be electric,” and indeed we are now at the cusp of a massive move to not just make the entire global transport industry greener, but also smarter and safer.

THE RACE TO SMARTER, SAFER, AND GREENER ROADS

Road transportation is seeing several innovations, as the quest to build smarter, safer, and more environmentally friendly vehicles grows stronger. Major regulatory shifts from governing bodies in the U.S. and  EU are redefining vehicle-safety standards, mandating that vehicles have built-in driver-distraction-monitoring systems that can detect drowsiness, child presence, driver impairment, and more.

Some companies are responding to these regulations with cutting-edge innovations that enhance driver monitoring and detection. Although legacy automakers like Ford, Toyota, Nissan, and Tesla didn’t join CES 2024, software-defined autotech products for vehicle safety from leading companies like Cipia, Mobileye, and Smart Eye were some of the major products that headlined the show, spotlighting the race to a smarter and safer future for road transportation. 

However, the transition to EVs is not without its challenges. Building a robust charging infrastructure is crucial for widespread adoption, as McKinsey notes in its report on how battery makers can respond to surging demand from EVs. Additionally, ensuring the responsible sourcing and disposal of battery materials is critical for the long-term sustainability of this technology.

Cipia, a publicly traded Israel-based computer-vision AI company, is helping to build toward safer mobility experiences for road transportation. The company, which uses computer-vision AI for driver and in-cabin sensing, helps “to make cars better understand, cater to, and predict people’s needs,” says Yehuda Holtzman, CEO at Cipia Vision, addomg that the company’s driver monitoring and in-cabin solutions are getting ready for a new era of driving where autonomy meets safety.

For Holtzman, the future of road transportation is a combination of smarter and safer vehicular mobility. And he believes the technologies that will enable that future  are already here and getting better by the minute. “As the industry continues to evolve, we will see more iterations and newer innovations in the journey toward making road transportation safer and more enjoyable. Cipia’s technology is poised to be a key player in this transformative journey toward safer, smarter roads,” he notes.

Other experts agree with Holtzman, with a report by McKinsey noting that we’ll see “a mobility ecosystem that is more intelligent, seamless, and environmentally friendly” within the next decade.

DECARBONIZING THE SEAS 

Storms of pollution continue to rage on the high seas. Per a report from Sinay on the state of the global transport sector, “Shipping claims the third position in terms of carbon dioxide emissions, comprising 11% of the total, trailing closely behind passenger vehicles at 39%, and medium to heavy trucks at 23%.” The report further said that, if proactive measures are not taken, the maritime sector’s carbon footprint will potentially rise by 50% to 250% by the year 2050.

But some companies are combating this challenge head on. One such company is Swedish manufacturer and Volvo subsidiary, Volvo Penta. A few months ago at CES 2024, the company launched a new inboard performance system (IPS) professional platform, describing it as “the industry’s most advanced technology and propulsion platform for commercial marine vessels and super yachts,” adding that the system could deliver about 30% fuel efficiency and cut down on emissions.

Johan Inden, president of marine business at Volvo Penta, tells Fast Company that the IPS professional platform heralds a new era of sustainability and efficiency, offering tangible benefits for commercial and recreational vessels.

“By embracing hybrid and electric solutions, Volvo Penta aims to spearhead the decarbonization of the marine industry, driving positive change on a global scale,” he says.

Volvo Penta’s IPS professional platform combines an advanced propeller architecture and intelligent power-drive system to power its eco-mode feature—an intelligent solution that automatically manages vessel propulsion in real time and optimizes fuel consumption and engine-running hours.

SUSTAINABLE AVIATION

While the aviation industry faces a major sustainability challenge, advancements in biofuels and sustainable aviation fuels (SAF) offer a promising path forward (biofuels are derived from renewable sources like plant oils and waste materials, while SAFs are synthetic fuels with similar properties to traditional jet fuel but with a lower carbon footprint).

Electric and hybrid-electric propulsion systems are also being explored for shorter regional flights. Although these technologies are still in their early stages of development, they are poised to elevate the future of sustainable air travel. 

Air traffic management systems are also undergoing modernization to optimize flight paths and reduce fuel consumption. These advancements, added to the implementation of new airspace design concepts, can significantly reduce emissions from the aviation sector, as the U.S. Federal Aviation Administration (FAA) explains in detail.

CONNECTED MOBILITY IS THE FUTURE

The future of mobility lies in a connected ecosystem that combines tech advancements across road, sea, rail, and air. Imagine a world where efficient electric vehicles seamlessly connect with autonomous public transportation systems, supplemented by a network of micromobility options for short trips. A world where cleaner ships powered by alternative fuels navigate optimized routes, minimizing environmental impact and intelligent port automation systems, further streamline logistics and reduce congestion.

As some experts already note, air travel will become more sustainable with a combination of biofuels, electric and hybrid-electric regional aircrafts, and optimized air traffic management. Data analytics will also play a crucial role in optimizing traffic flow across all modes of transportation, further reducing emissions and improving efficiency.

The journey toward a decarbonized transport sector will be a long one, requiring continued investment in research and development, collaboration between governments and industries, and a shift in consumer behavior toward sustainable travel options. But the potential benefits are significant: A cleaner planet, a more efficient transport system, and a healthier future for all.

Read the full story here.
Photos courtesy of

Related News

Louisiana's Governor Raises Major Doubts About a Stalled $3 Billion Coastal Restoration Project

Louisiana Gov. Jeff Landry is raising serious objections to a $3 billion project that has long been hailed key to restoring the state’s eroding coastline

NEW ORLEANS (AP) — Louisiana Gov. Jeff Landry raised serious objections Thursday to a $3 billion project long hailed as key to restoring the state's eroding coastline, decrying the growing cost and predicting dire harm to a coastal culture dependent on fishing, shrimping and oyster dredging.The Republican governor's remarks to a Senate committee in Baton Rouge were his most extensive — and most decisively negative — on the Mid-Barataria Sediment Diversion project since he took office in January. They come a month after federal authorities warned that money for the project channeled to the state by the federal government would have to be returned if the state could not provide a clear commitment to the plan.Landry stopped short of calling for an end to the project altogether but said a compromise must be reached with opponents of the project. The chair of the Senate Committee, Republican Sen. Pat Connick, said lawmakers would have to weigh the next move. The project would channel 75,000 cubic feet (2,100 cubic meters) of sediment per second from the Mississippi River into the nearby Barataria Basin in southeast Louisiana’s Plaquemines Parish to create between 20 to 40 square miles (52 to 104 square kilometers) of new land over five decades. It has drawn opposition from some in Plaquemines Parish and now Landry. “This project is going to break our culture,” Landry said, likening the projected damage to shrimp and oyster harvesters to the diminishing of the Cajun French language generations ago when southwest Louisiana school children were forced to speak nothing but English.Ground was broken on the project in August 2023, but state and federal litigation by various interests has stalled it. Landry's remarks added to doubts about its future, despite support from environmental groups.Supporters of the project, which is being funded from a settlement arising from BP's 2010 Deepwater Horizon oil spill in the Gulf of Mexico, quickly pushed back during and after Landry's committee testimony. “I really think, again, the proper course of action is to remain and build as properly permitted as already funded with BP oil spill dollars ... Every day that we wait and delay we’re costing the state more money," Rep. Joseph Orgeron, a Republican from Cut Off, told Landry. While Landry called the project experimental, Orgeron said other, smaller diversion projects have worked.“As we continue to lose wetlands to open water, that’s just less and less breeding grounds, less and less protection for all of our juvenile shrimp, crab, finfish, you name it,” Corey Miller, community engagement director with the nonprofit Pontchartrain Conservancy, said in an interview. “We have to figure out a way to reestablish that connection between the river and our estuaries in order to rebuild deltas to protect all of our communities.”The project was planned in response to a rapidly vanishing coastline caused by a variety of natural and man-made factors. Those include land subsidence, sea-level rise, the cutting of canals through coastal wetlands by oil and gas companies, and the artificial control of the Mississippi River via levee systems that protect populations from floods but also prevent the natural flow of water that would ordinarily deposit sediment and rebuild land. The conservation group Restore the Mississippi River Delta said Landry's remarks represent a “dramatic shift” in coastal restoration efforts: “Not building this project as designed, permitted and funded will put citizens and businesses at increased risk from future storms.”Landry said delays have pushed the Mid-Barataria project cost over the years from around $1.5 billion to more than $3 billion, and he predicted costs above $2.9 billion will have to be passed on to Louisiana taxpayers. Associated Press reporter Jack Brook in Baton Rouge, Louisiana, contributed to this story.Copyright 2024 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See - Sept. 2024

Business
Conservation
Culture

9 minutes, $195: We tested a heli-taxi vs. an Uber to the airport

On a Blade helicopter, a one-way trip from Manhattan to John F. Kennedy International Airport runs $195.

On paper, the 16-mile commute between New York City and its biggest airport sounds like a cakewalk. But the reality of getting to John F. Kennedy International Airport is neither short nor sweet.At peak times, a cab from Manhattan can take an hour and costs $70 before surcharges, tip and tolls. With surge pricing, Uber fares can far exceed $100. For under $20, there’s the train, which can take anywhere between a half-hour and 75 minutes, depending on where you hop on.Or, if you really can’t wait, you could take a helicopter.Blade, a New York-based helicopter taxi service, promises to shuttle customers between the city and JFK (or Newark Liberty International Airport in New Jersey) in five minutes. Its base fare for a one-way trip is $195. No switching trains, no hurried cabbies — just smooth sailing over the gridlock below.Blade takes customers to airports and the Hamptons on Long Island by helicopter (or fancy bus), and it offers private jet charters in the region and beyond. Blade is also the largest dedicated air transporter of human organs in the United States, said CEO Rob Wiesenthal, who founded the company in 2014.While a $900 jaunt to the Hamptons is exponentially out of my price range, Blade’s airport service is less far-fetched.On a recent Sunday, before a late-afternoon flight from JFK to D.C., my cheapest Uber option from the Upper West Side was $146. For a comparable price (with a first-time-rider coupon), I could take back a half-hour of my time and pretend to be a character in “Succession.”To compare experiences, I sent my husband in an Uber while I tried Blade.The booking processLike Uber, booking a ride with Blade can be done quickly through its app or website. Unlike Uber, you can’t hail an affordable ride around-the-clock.Wiesenthal wouldn’t say how many flights Blade offers per day but said that during the week, “you can fly to Newark or Kennedy pretty much 12 hours a day.”The standard window for “by-the-seat” trips (vs. chartering the entire cabin) to JFK generally runs weekdays between 7 a.m. and 8 p.m., and from 1 p.m. to 8 p.m. on Sundays. There are no such flights on Saturdays.Customers can “crowdsource” flights that aren’t on the schedule. After requesting a specific time, Blade will open slots for the public to book; the more people who join in, the less it costs the original requester. Alternatively, you can book the entire aircraft for yourself and up to seven other guests, starting at $1,875.I booked my seat a couple days in advance — and still had limited options. The best one for my schedule left an hour before my Delta flight boarded and cost $265, which was $70 higher than the advertised base fare. Again, like Uber — or commercial airlines — the company practices dynamic pricing. The same trip during the week of Thanksgiving, for example, was $325.With my first-time-flier coupon registering a $50 discount, the total came to $215.The loungeBlade operates from three heliports across the city. My trip departed from Lounge West, located on the Hudson River near Hudson Yards.It’s a portable building like you’d find at a construction site, but it’s painted matte black (save a few white Blade logos). A black chain-link fence with privacy netting surrounds the tarmac, protecting the identity of the travelers beyond. Wiesenthal told me that 60 percent of customers use the airport shuttle for business travel; leisure travelers account for the rest — not only people who want to get out of Dodge fast, but also tourists who want one last sightseeing adventure.The company recommends arriving at least 15 minutes before takeoff; I got there with 20 to spare to enjoy the perks. A friendly receptionist checked me in, took my luggage and gave me a colored wristband to indicate my flight group. There was no metal detector or TSA staff to flag my liquids. Then I was free to enjoy the 1960s-themed lounge.The place felt designed with Instagram in mind. Andy Warhol prints, neon acrylic tables, mushroom lamps. The furniture — like tulip chairs and leather barstools — looked the part but felt flimsy, more Temu than TWA Hotel.While my husband texted from crawling Brooklyn traffic, I sat at the bar and ordered a glass of complimentary white wine. There was Acqua Panna water and packaged snacks such as a maple blueberry protein bar and “skinny dipped” dark-chocolate-covered almonds.The rideBlade has a reputation for being on time; my chopper-mate told me he’s taken the airport service 50 times and it had never been late before. But that afternoon we ran 15 minutes behind schedule.Air traffic can cause delays. So can weather. Blade will cancel flights if the weather is deemed unsafe or heavy turbulence is expected and will take you to the airport by car instead.It wasn’t clear why we were held up, but the staff apologized for the delay. Soon, a helicopter landed in front of the lounge window and our wristband group was called. We filed into a line by the door, were given instructions on how to board and were escorted to the aircraft. I must have missed dibs on the shotgun seat next to the pilot and was slotted in the main cabin with two other fliers.The ethical dilemmaThe helicopter took off after a quick safety briefing from the pilot, who was wearing a hoodie, and in seconds we were hovering over the city skyline.Every passenger had their phone out at some point to capture the splendor. It felt surreal and a little nauseating — mostly because I’m prone to motion sickness, but also metaphorically. As we descended, and the skyscrapers gave way to houses, I thought about the people living below. The helicopter was incredibly loud; it had to be annoying to hear us screech past.The luxury is controversial. Nonessential helicopter traffic has been increasing for years, and residents living under the flight paths are filing evermore noise complaints. The New York nonprofit Stop the Chop also cites high carbon emissions among its primary reasons for a push to ban nonessential flights over the region.“Taking a helicopter ride is definitely more environmentally damaging than an hour-long Uber ride,” Peter DeCarlo, an associate professor of environmental health and engineering at Johns Hopkins University who studies atmospheric air pollution, told me in an email.Blade says it plans to transition to cleaner, quieter electric vertical aircraft once they’re available in the coming years.There wasn’t much time for my guilt to fester; we were on the ground about nine minutes (not five) after liftoff.In addition to the potential for small delays, travelers should factor in that Blade can’t drop you off at the curb like a taxi. Once we landed on the JFK chopper tarmac, a Blade attendant wheeled our bags on a luggage trolley through a small lobby and out to a parking lot, where chauffeurs were waiting to drive us to our respective airport terminals.I hopped in an SUV but was told I could have paid to upgrade to a Mercedes-Maybach. Depending on airport traffic, the ride can add another five to 10 minutes to your ETA.The takeawayMy driver told me that celebrities, like musicians and National Basketball Association players, are fans of Blade. If it wasn’t for the noise and environmental concerns, I’d be a fan of Blade, too. (Okay, I didn’t love being queasy afterward, either.) Once the company goes electric and I win the lottery, maybe we’ll talk.In the end, my husband got the last laugh. Factoring in the 20 minutes it took me to get to the Blade helipad, my lounge time and the flight, he actually beat me to JFK in his hour-long Uber ride, arriving with enough padding to get some Shake Shack and relax.

Business
Health
Pollution

‘Business as usual:’ Why the $27B ‘green bank’ could survive Trump

One of the Inflation Reduction Act’s most celebrated programs — a nationwide “green bank” to help fund climate projects that struggle to secure private-sector loans — has also been one of the most reviled by Republican lawmakers. Last October, House Republicans dogged the U.S. Environmental Protection Agency over…

One of the Inflation Reduction Act’s most celebrated programs — a nationwide ​“green bank” to help fund climate projects that struggle to secure private-sector loans — has also been one of the most reviled by Republican lawmakers. Last October, House Republicans dogged the U.S. Environmental Protection Agency over its management of the program, known as the Greenhouse Gas Reduction Fund (GGRF), calling it a “$27 billion slush fund of taxpayer money.” In January, they accused the Biden administration of directing the money to ​“favored special interest organizations.” House Republicans have also seized on a report from the EPA’s Office of Inspector General stating that the speed at which the program was moving could lead to ​“waste, fraud, and abuse.” But the green bank program appears to be well positioned to survive the next four years, despite the fact that Republicans won control over Congress and the presidency earlier this month. That’s assuming the Trump administration follows the law and regulations that established the program, however — and in any case, the administration will still have opportunities to slow the program down. “As a Democrat, of course I’m disappointed” in the election results, Reed Hundt, head of the Coalition for Green Capital (CGC), one of the entities in charge of allocating green bank funds, told Canary Media. ​“But as the CEO of CGC, there’s no change at all in what we’re going to do. It’s completely and totally business as usual.” Hundt, the U.S. Federal Communications Commission chair during the Clinton administration, is a longtime champion of a national green bank. More than a decade of work on the concept paid off in 2022 with the inclusion of a green bank program in the landmark IRA climate law. The idea is to create a nationwide version of the government-backed and nonprofit green banks now operating in 17 states, offering low-cost loans for rooftop solar, efficiency retrofits, electric heat pumps, EV charging, and similar carbon-cutting projects. The law gave the EPA $27 billion to grant to states, tribes, nonprofit groups, and public-private consortiums. Those grantees, in turn, can lend or grant funds to projects and initiatives across the country — and bring in other private-sector lenders and financial backers to boost the impact of the money. In April, the EPA picked eight coalitions to receive a collective $20 billion of this green bank capital, including $5 billion for the CGC. That month, the EPA also picked 60 recipients for its $7 billion Solar for All program. And in August, the EPA announced it had ​“obligated the full $27 billion” of its GGRF funds to selected recipients. That means that CGC now has ​“a contract with the government that tells us and our network partners what we must do,” Hundt said. ​“We have the money, and we’re going to fulfill the contract.” Having these funds ​“obligated” is important, said Adam Fischer, vice president at Waxman Strategies, a Washington, D.C.–based policy and lobbying firm founded by Henry Waxman, a former Democratic U.S. House member. Under the statutory language of the IRA, once GGRF funds are obligated, ​“EPA is now under contract with all 68 awardees” across all of its programs, he said. “As such, any attempt by the incoming administration to claw back or otherwise upend disbursement of obligated funds would be a breach of contract,” said Fischer, who led development and drafting of the GGRF while working at the U.S. House Committee on Energy and Commerce. ​“If they do try to meddle with contracts for unjustifiable reasons, they’ll face lawsuits.” That view was echoed by Michael Catanzaro, the CEO of CGCN Group, a Republican lobbying firm, and a former special assistant for domestic energy and environmental policy in the first Trump administration. “It’s going to be difficult, I think, for an EPA to come in and claw that back,” Catanzaro said during a November 14 panel discussion hosted by the law firm Norton Rose Fulbright. ​“I think you’re going to create some serious legal problems if you try to do that. […] EPA worked pretty diligently to get the money out the door, knowing that the election could go south on them.” The future of the green bank under Trump That’s not to say that the GGRF won’t face attacks from the Trump administration or the Republican-controlled Congress, however. The program has ​“been a long-standing target of House Republicans and Republicans generally in the Congress since the IRA was finalized and EPA began work to figure out where that money would go,” Catanzaro said. Though the Trump administration may not be able to outright eliminate the GGRF program, several people who spoke to Canary Media on condition of anonymity said that the EPA under Trump could take actions to disrupt it, such as refusing to approve loans made by recipients. Those actions could be legally challenged, they said — but those disputes would take time to play out, leaving financing from the program in an extended state of limbo. In the face of that risk, the program’s best defense may be its value to communities in Republican-dominated states and congressional districts.

Business
Climate
Government

Randy Newman’s Genius for Political Irony

Here’s an uncomfortable truth: Most musicians on the left write songs that lack a decent sense of humor about serious matters, whether past or present. Earnest idealists abound: Think of Woody Guthrie warbling about “Pastures of Plenty” or Pete Seeger musing what he could do “If I Had a Hammer.” The radical movements of the 1960s and ’70s did spawn blunt satirists, such as Malvina Reynolds, who scorned suburbanites who lived in “Little Boxes,” and Phil Ochs, who spitefully pleaded, “Love Me, I’m a Liberal.” Yet even the best of such creations, like Gil Scott-Heron’s “The Revolution Will Not Be Televised,” are hard to appreciate now with any emotion save nostalgia. If a revolution ever occurs in the United States, it will most certainly be seen and heard on billions of screens of every conceivable size.Randy Newman has been a great exception to this unhappy norm. He has never explicitly identified with any ideological tendency, preferring to let his music express his thoughts, he tells Robert Hilburn in the new biography, A Few Words in Defense of Our Country: The Biography of Randy Newman. But for nearly 60 years, Newman has been churning out wise and witty lyrics, set to genres from rock to blues to country, about a stunning variety of topics and individuals, political and historical. Among them are slavery, empire, racism, nuclear destruction, religion, patriotism, apartheid, environmental disaster, homophobia, Karl Marx, George W. Bush, Barack Obama, Vladimir Putin, Ivanka Trump, and the Great Mississippi Flood of 1927. To list them so baldly obscures the imagination behind his best political songs. In many of them, characters talk about and for themselves, voicing odious sentiments that Newman recognizes are vital to making the United States the intolerable yet alluring mess it has always been. He “inhabits his characters so completely,” a New York Times critic once wrote, “that he makes us uneasy, wondering how much self-identification he has invested in their creation. His work achieves its power by that very confusion.”Take “Political Science,” a novel ditty he wrote during the early 1970s, when demonstrators on multiple continents were raging against the carnage the United States was perpetrating in Indochina. The song takes up the voice of the U.S. foreign policy establishment. “No one likes us, I don’t know why, / We may not be perfect, but heaven knows we try,” sings Newman with a casualness that quickly segues to a most ghastly of all solutions: “Let’s drop the big one and see what happens.” Think of the glorious result: “There’ll be no one left to blame us.” And “every city the whole world round / Will just be another American town. / Oh, how peaceful it will be, / We’ll set everybody free.” “Political Science” is a hymn to American exceptionalism as imagined by a genocidal innocent: After the nuclear holocaust, no one will be alive except Americans. Well, he would spare Australia: “Don’t wanna hurt no kangaroo / We’ll build an all-American amusement park there / They got surfing, too.”Unlike popular songs by leftists that seek to spark outrage or exultation or urge listeners to get out in the street and march, Randy Newman’s political music nudges you to reflect on the roots of your own beliefs and prejudices, and appreciate the power of characters you despise. “I believe in not hurting anybody,” he has said. That simple line is a version of the motto of PM, a left-wing daily paper published in New York City during the 1940s: “We are against people who push other people around, just for the fun of pushing, whether they flourish in this country or abroad.” Randy Newman has fun getting under such people’s skin.The irony about this virtuoso of political irony is that his best-known works are entirely apolitical. Born in 1943, Newman began his career in the early 1960s writing for such artists as Bobby Darin and Irma Thomas, as well as recording his own pop and rock songs. But since the 1970s, Newman has written music for 29 films, including such animated blockbusters as Toy Story (1, 2, 3, and 4), Monsters, Inc., and A Bug’s Life, as well as The Natural, the dark drama about an ill-fated baseball star, played by Robert Redford. When I ask students if they have heard of Newman, most draw a blank. But nearly all can recite a few lines from “You’ve Got a Friend in Me,” which he wrote for the first Toy Story, a staple of kids’ cinema since Pixar released it in 1995. He has won two Oscars for his music and been nominated for many others.Newman was to the film business born: Three of his uncles wrote acclaimed scores, and his physician father wanted his son to be a musician more than he did. Newman shed that reluctance when he discovered he had a gift for writing songs. Shortly after he graduated from high school, the Fleetwoods, a pop trio with a brace of No. 1 songs to their credit, recorded his ballad, “They Tell Me It’s Summer,” in which a teenager laments, “it just can’t be summer / When I’m not with you.” The banal, if catchy, tune climbed as high as No. 36 on the Billboard chart.Over his long career, Newman has written far better, if similarly painful, songs about longing and depression, covered by the likes of Nina Simone, Ray Charles, Bonnie Raitt, and Neil Diamond. In “Guilty,” recorded back in 1974, he captured with perfect pith the forlorn mood of a man on drugs: You know, I just can’t stand myselfAnd it takes a whole lot of medicineFor me to pretend that I’m somebody elseSuch songs appear on the same albums as do the overtly political creations, and Newman would probably object to the idea that there is a fundamental difference between them. “I’m interested in this country,” he told one interviewer, “geography, weather, the people, the way people look, what they eat, what they call things … maybe American psychology is my big subject.”In his political songs, however, Newman deploys satire in deft and original ways to highlight a horrific aspect of the nation’s past. Perhaps the greatest example is “Sail Away,” recorded in 1972. As the strings of an orchestra swell behind him, a slave trader eager to dispatch people in bondage across “the mighty ocean into Charleston Bay” speaks to a gathering of unwitting Africans. His offers them a P.R. pitch for the American dream, laced with condescending clichés: In America you get food to eatWon’t have to run through the jungleAnd scuff up your feetYou’ll just sing about Jesus and drink wine all dayIt’s great to be an American…In America every man is freeTo take care of his home and his familyYou’ll be as happy as a monkey in a monkey treeYou’re all gonna be an AmericanSail away, sail awayWe will cross the mighty ocean into Charleston BaySail away, sail awayWe will cross the mighty ocean into Charleston BaySo climb aboard that big ship and don’t pay any heed to any chains you may see laying around. For you will soon be on your way to the promised land, like those Europeans who came before and will come after you. The despicable con job underlines a sober truth: To be proud to “be an American,” one should be able to enjoy “the fruits of Americanism,” as Malcolm X put it. “A secret ambivalence of four hundred years” of life in this country “finds a voice in this song,” wrote the critic Greil Marcus. “It is like a vision of heaven superimposed on hell.”Newman’s best-known commentary on white supremacy in America was also his most controversial song. “Rednecks,” the lead track on the 1974 album Good Old Boys, scores white liberals’ hypocrisy about racism. The song’s protagonist is a white dude from Dixie who freely admits to “keepin’ the n—s down.” He defends Lester Maddox—the one-term governor of Georgia and unabashed segregationist who threatened to attack any Black people who tried to eat in his fried chicken restaurant—as one of his own (“he may be a fool but he’s our fool”) while sneering at “some smart-ass New York Jew” who ridiculed Maddox in a TV interview show. Newman’s “redneck” embraces a slew of stereotypes about uncouth figures like himself: “We talk real funny down here / We drink too much and we laugh too loud”; “We don’t know our ass from a hole in the ground.” Up to this point in the song, one might scoff at the benighted fellow’s easy acknowledgment of his racism and his other faults, too.Then the lyric takes a sharp turn away from mocking such not-so-good old boys. Up North, the redneck points out, white folks claim they “set the n— free” and call him a “Negro.” But oppression reigns there too. Black people are “free to be put in a cage / In Harlem in New York City” and “in the South Side of Chicago / And the West Side” and in Hough in Cleveland, in East St. Louis, in San Francisco and in Roxbury in Boston, the song goes on. To accuse one’s adversary of committing the same sins, without realizing it, is one of the oldest moves in ideological combat. It should have stung liberals who didn’t take responsibility for their own share of injustice. But the song may have been too clever for some. Newman stopped performing it in public when white audiences in the South began singing right along to it, n-word and all.For Newman, the meaning of Americanism always swings between elegiac hope and justifiable rage. He loves his countrywomen and men, but it’s the affection of a brutal realist. In the 2006 song Robert Hilburn chose as the title of his biography, “A Few Words in Defense of Our Country,” Newman contrasted President George W. Bush’s misgoverning of the nation with the muddled decency of its citizens:I’d like to say a few wordsIn defense of our countryWhose people aren’t badNor are they meanNow, the leaders we haveWhile they’re the worst that we’ve hadAre hardly the worstThis poor world has seenNewman then ticked off the regimes of bloodthirsty tyrants, like King Leopold of Belgium, whose minions caused the deaths of millions of Congolese, and the Spanish monarchs who oversaw the Inquisition that lasted for centuries. He wasn’t apologizing for the debacle of the invasion of Iraq, motivated by lies, but warning that the United States could be rushing toward the same fate that befell such once mighty domains:The end of an empire is messy at bestAnd this empire is endingLike all the restLike the Spanish Armada adrift on the seaWe’re adrift in the land of the braveAnd the home of the freeThe New York Times published an abridged version of this casual message of terminal decline as an op-ed. Yet, in cold type and pixels, it fails to capture the power of a satirist whose laid-back vocals assail the myopia and cruelties of U.S. history.Newman always conveys that critique with the affection of an artist who will never abandon the place that, in another song, he embraces: “This is my country / These are my people / And I know ’em like the back of my own hand.” I think Newman would nod in agreement with the American protagonist of Rachel Kushner’s new novel, Creation Lake, an undercover spy in France, who remarks, “I miss being at home in a culture.… Our words, our expanse of idioms, are expressive and creative and precise, like our music and … our passion for violence, stupidity, and freedom.”Hilburn’s biography does not explain how this rather shy fellow from a well-to-do Jewish family managed to create such provocative music about a cornucopia of subjects and the characters who embody them. He dispenses a surfeit of details about Newman’s personal life, but few bear on the content of his works, political and otherwise. Having conducted many hours of interviews with his subject, Hilburn can dwell at length on the highs and lows of Newman’s prolific career and two marriages. But to learn which of his albums made lots of money and which flopped or why he split from his first wife but is happily married to the second reveals almost nothing about what inspired his songs. Hilburn even fails to make clear why Newman has always sung with a gentle Southern drawl—although he spent just two infant years in New Orleans and has long lived in the leafy comfort of West L.A. The result is a biography seemingly intended for readers who already adore Newman’s music but might enjoy having a chronological reference book around as they listen to it.To his credit, Hilburn reprints all the words to a remarkable Newman song from 1999 that fans of classics like “Sail Away” may have missed. “The Great Nations of Europe” is something quite rare in popular music: a witty critique of empire inspired by a book written by a distinguished historian. In Ecological Imperialism, published in 1986, Alfred Crosby argued that adventurers from the Old World were able to subjugate the inhabitants of the New because they not just had plenty of “guns for conquest” but, without being aware of it, also carried in their cargo and bodies “infectious diseases for decimating indigenous populations.” Newman lifted a few shocking details from Crosby’s influential book and tied them together with a catchy chorus:The great nations of EuropeHad gathered on the shoreThey’d conquered what was behind themAnd now they wanted moreSo they looked to the mighty oceanAnd took to the western seaThe great nations of Europe in the sixteenth centuryHide your wives and daughtersHide the groceries, tooGreat nations of Europe coming throughThe Grand Canary IslandsFirst land to which they cameThey slaughtered all the canariesWhich gave the land its nameThere were natives there called GuanchesGuanches by the scoreBullets, disease, the Portuguese, and they weren’t there anymoreNewman offers no hope for collective liberation in this or any other song. They could never serve as the soundtrack for a left-wing gathering as “Solidarity Forever” or “This Land Is Your Land” once did. But the skeptical humor of his best creations may be more valuable to the left than the romantic uplift in such radical standards. Just as Mr. Burns in The Simpsons has probably taught more Americans to ridicule corporate moguls than have reams of Marxian essays, so “Sail Away” debunks the ideal of American exceptionalism with a panache no leftist scholar has equaled. “The common discovery of America,” Norman Mailer once wrote, “was probably that Americans were the first people on earth to live for their humor; nothing was so important to Americans as humor.”Now in his eighties, Newman has not performed in recent years and may never mount a stage again. But I will never forget the times I saw this small, froggish man sit down at a piano and drawl out doses of grim reality that made me grin and think about this land that’s our land—for better and for worse.

Here’s an uncomfortable truth: Most musicians on the left write songs that lack a decent sense of humor about serious matters, whether past or present. Earnest idealists abound: Think of Woody Guthrie warbling about “Pastures of Plenty” or Pete Seeger musing what he could do “If I Had a Hammer.” The radical movements of the 1960s and ’70s did spawn blunt satirists, such as Malvina Reynolds, who scorned suburbanites who lived in “Little Boxes,” and Phil Ochs, who spitefully pleaded, “Love Me, I’m a Liberal.” Yet even the best of such creations, like Gil Scott-Heron’s “The Revolution Will Not Be Televised,” are hard to appreciate now with any emotion save nostalgia. If a revolution ever occurs in the United States, it will most certainly be seen and heard on billions of screens of every conceivable size.Randy Newman has been a great exception to this unhappy norm. He has never explicitly identified with any ideological tendency, preferring to let his music express his thoughts, he tells Robert Hilburn in the new biography, A Few Words in Defense of Our Country: The Biography of Randy Newman. But for nearly 60 years, Newman has been churning out wise and witty lyrics, set to genres from rock to blues to country, about a stunning variety of topics and individuals, political and historical. Among them are slavery, empire, racism, nuclear destruction, religion, patriotism, apartheid, environmental disaster, homophobia, Karl Marx, George W. Bush, Barack Obama, Vladimir Putin, Ivanka Trump, and the Great Mississippi Flood of 1927. To list them so baldly obscures the imagination behind his best political songs. In many of them, characters talk about and for themselves, voicing odious sentiments that Newman recognizes are vital to making the United States the intolerable yet alluring mess it has always been. He “inhabits his characters so completely,” a New York Times critic once wrote, “that he makes us uneasy, wondering how much self-identification he has invested in their creation. His work achieves its power by that very confusion.”Take “Political Science,” a novel ditty he wrote during the early 1970s, when demonstrators on multiple continents were raging against the carnage the United States was perpetrating in Indochina. The song takes up the voice of the U.S. foreign policy establishment. “No one likes us, I don’t know why, / We may not be perfect, but heaven knows we try,” sings Newman with a casualness that quickly segues to a most ghastly of all solutions: “Let’s drop the big one and see what happens.” Think of the glorious result: “There’ll be no one left to blame us.” And “every city the whole world round / Will just be another American town. / Oh, how peaceful it will be, / We’ll set everybody free.” “Political Science” is a hymn to American exceptionalism as imagined by a genocidal innocent: After the nuclear holocaust, no one will be alive except Americans. Well, he would spare Australia: “Don’t wanna hurt no kangaroo / We’ll build an all-American amusement park there / They got surfing, too.”Unlike popular songs by leftists that seek to spark outrage or exultation or urge listeners to get out in the street and march, Randy Newman’s political music nudges you to reflect on the roots of your own beliefs and prejudices, and appreciate the power of characters you despise. “I believe in not hurting anybody,” he has said. That simple line is a version of the motto of PM, a left-wing daily paper published in New York City during the 1940s: “We are against people who push other people around, just for the fun of pushing, whether they flourish in this country or abroad.” Randy Newman has fun getting under such people’s skin.The irony about this virtuoso of political irony is that his best-known works are entirely apolitical. Born in 1943, Newman began his career in the early 1960s writing for such artists as Bobby Darin and Irma Thomas, as well as recording his own pop and rock songs. But since the 1970s, Newman has written music for 29 films, including such animated blockbusters as Toy Story (1, 2, 3, and 4), Monsters, Inc., and A Bug’s Life, as well as The Natural, the dark drama about an ill-fated baseball star, played by Robert Redford. When I ask students if they have heard of Newman, most draw a blank. But nearly all can recite a few lines from “You’ve Got a Friend in Me,” which he wrote for the first Toy Story, a staple of kids’ cinema since Pixar released it in 1995. He has won two Oscars for his music and been nominated for many others.Newman was to the film business born: Three of his uncles wrote acclaimed scores, and his physician father wanted his son to be a musician more than he did. Newman shed that reluctance when he discovered he had a gift for writing songs. Shortly after he graduated from high school, the Fleetwoods, a pop trio with a brace of No. 1 songs to their credit, recorded his ballad, “They Tell Me It’s Summer,” in which a teenager laments, “it just can’t be summer / When I’m not with you.” The banal, if catchy, tune climbed as high as No. 36 on the Billboard chart.Over his long career, Newman has written far better, if similarly painful, songs about longing and depression, covered by the likes of Nina Simone, Ray Charles, Bonnie Raitt, and Neil Diamond. In “Guilty,” recorded back in 1974, he captured with perfect pith the forlorn mood of a man on drugs: You know, I just can’t stand myselfAnd it takes a whole lot of medicineFor me to pretend that I’m somebody elseSuch songs appear on the same albums as do the overtly political creations, and Newman would probably object to the idea that there is a fundamental difference between them. “I’m interested in this country,” he told one interviewer, “geography, weather, the people, the way people look, what they eat, what they call things … maybe American psychology is my big subject.”In his political songs, however, Newman deploys satire in deft and original ways to highlight a horrific aspect of the nation’s past. Perhaps the greatest example is “Sail Away,” recorded in 1972. As the strings of an orchestra swell behind him, a slave trader eager to dispatch people in bondage across “the mighty ocean into Charleston Bay” speaks to a gathering of unwitting Africans. His offers them a P.R. pitch for the American dream, laced with condescending clichés: In America you get food to eatWon’t have to run through the jungleAnd scuff up your feetYou’ll just sing about Jesus and drink wine all dayIt’s great to be an American…In America every man is freeTo take care of his home and his familyYou’ll be as happy as a monkey in a monkey treeYou’re all gonna be an AmericanSail away, sail awayWe will cross the mighty ocean into Charleston BaySail away, sail awayWe will cross the mighty ocean into Charleston BaySo climb aboard that big ship and don’t pay any heed to any chains you may see laying around. For you will soon be on your way to the promised land, like those Europeans who came before and will come after you. The despicable con job underlines a sober truth: To be proud to “be an American,” one should be able to enjoy “the fruits of Americanism,” as Malcolm X put it. “A secret ambivalence of four hundred years” of life in this country “finds a voice in this song,” wrote the critic Greil Marcus. “It is like a vision of heaven superimposed on hell.”Newman’s best-known commentary on white supremacy in America was also his most controversial song. “Rednecks,” the lead track on the 1974 album Good Old Boys, scores white liberals’ hypocrisy about racism. The song’s protagonist is a white dude from Dixie who freely admits to “keepin’ the n—s down.” He defends Lester Maddox—the one-term governor of Georgia and unabashed segregationist who threatened to attack any Black people who tried to eat in his fried chicken restaurant—as one of his own (“he may be a fool but he’s our fool”) while sneering at “some smart-ass New York Jew” who ridiculed Maddox in a TV interview show. Newman’s “redneck” embraces a slew of stereotypes about uncouth figures like himself: “We talk real funny down here / We drink too much and we laugh too loud”; “We don’t know our ass from a hole in the ground.” Up to this point in the song, one might scoff at the benighted fellow’s easy acknowledgment of his racism and his other faults, too.Then the lyric takes a sharp turn away from mocking such not-so-good old boys. Up North, the redneck points out, white folks claim they “set the n— free” and call him a “Negro.” But oppression reigns there too. Black people are “free to be put in a cage / In Harlem in New York City” and “in the South Side of Chicago / And the West Side” and in Hough in Cleveland, in East St. Louis, in San Francisco and in Roxbury in Boston, the song goes on. To accuse one’s adversary of committing the same sins, without realizing it, is one of the oldest moves in ideological combat. It should have stung liberals who didn’t take responsibility for their own share of injustice. But the song may have been too clever for some. Newman stopped performing it in public when white audiences in the South began singing right along to it, n-word and all.For Newman, the meaning of Americanism always swings between elegiac hope and justifiable rage. He loves his countrywomen and men, but it’s the affection of a brutal realist. In the 2006 song Robert Hilburn chose as the title of his biography, “A Few Words in Defense of Our Country,” Newman contrasted President George W. Bush’s misgoverning of the nation with the muddled decency of its citizens:I’d like to say a few wordsIn defense of our countryWhose people aren’t badNor are they meanNow, the leaders we haveWhile they’re the worst that we’ve hadAre hardly the worstThis poor world has seenNewman then ticked off the regimes of bloodthirsty tyrants, like King Leopold of Belgium, whose minions caused the deaths of millions of Congolese, and the Spanish monarchs who oversaw the Inquisition that lasted for centuries. He wasn’t apologizing for the debacle of the invasion of Iraq, motivated by lies, but warning that the United States could be rushing toward the same fate that befell such once mighty domains:The end of an empire is messy at bestAnd this empire is endingLike all the restLike the Spanish Armada adrift on the seaWe’re adrift in the land of the braveAnd the home of the freeThe New York Times published an abridged version of this casual message of terminal decline as an op-ed. Yet, in cold type and pixels, it fails to capture the power of a satirist whose laid-back vocals assail the myopia and cruelties of U.S. history.Newman always conveys that critique with the affection of an artist who will never abandon the place that, in another song, he embraces: “This is my country / These are my people / And I know ’em like the back of my own hand.” I think Newman would nod in agreement with the American protagonist of Rachel Kushner’s new novel, Creation Lake, an undercover spy in France, who remarks, “I miss being at home in a culture.… Our words, our expanse of idioms, are expressive and creative and precise, like our music and … our passion for violence, stupidity, and freedom.”Hilburn’s biography does not explain how this rather shy fellow from a well-to-do Jewish family managed to create such provocative music about a cornucopia of subjects and the characters who embody them. He dispenses a surfeit of details about Newman’s personal life, but few bear on the content of his works, political and otherwise. Having conducted many hours of interviews with his subject, Hilburn can dwell at length on the highs and lows of Newman’s prolific career and two marriages. But to learn which of his albums made lots of money and which flopped or why he split from his first wife but is happily married to the second reveals almost nothing about what inspired his songs. Hilburn even fails to make clear why Newman has always sung with a gentle Southern drawl—although he spent just two infant years in New Orleans and has long lived in the leafy comfort of West L.A. The result is a biography seemingly intended for readers who already adore Newman’s music but might enjoy having a chronological reference book around as they listen to it.To his credit, Hilburn reprints all the words to a remarkable Newman song from 1999 that fans of classics like “Sail Away” may have missed. “The Great Nations of Europe” is something quite rare in popular music: a witty critique of empire inspired by a book written by a distinguished historian. In Ecological Imperialism, published in 1986, Alfred Crosby argued that adventurers from the Old World were able to subjugate the inhabitants of the New because they not just had plenty of “guns for conquest” but, without being aware of it, also carried in their cargo and bodies “infectious diseases for decimating indigenous populations.” Newman lifted a few shocking details from Crosby’s influential book and tied them together with a catchy chorus:The great nations of EuropeHad gathered on the shoreThey’d conquered what was behind themAnd now they wanted moreSo they looked to the mighty oceanAnd took to the western seaThe great nations of Europe in the sixteenth centuryHide your wives and daughtersHide the groceries, tooGreat nations of Europe coming throughThe Grand Canary IslandsFirst land to which they cameThey slaughtered all the canariesWhich gave the land its nameThere were natives there called GuanchesGuanches by the scoreBullets, disease, the Portuguese, and they weren’t there anymoreNewman offers no hope for collective liberation in this or any other song. They could never serve as the soundtrack for a left-wing gathering as “Solidarity Forever” or “This Land Is Your Land” once did. But the skeptical humor of his best creations may be more valuable to the left than the romantic uplift in such radical standards. Just as Mr. Burns in The Simpsons has probably taught more Americans to ridicule corporate moguls than have reams of Marxian essays, so “Sail Away” debunks the ideal of American exceptionalism with a panache no leftist scholar has equaled. “The common discovery of America,” Norman Mailer once wrote, “was probably that Americans were the first people on earth to live for their humor; nothing was so important to Americans as humor.”Now in his eighties, Newman has not performed in recent years and may never mount a stage again. But I will never forget the times I saw this small, froggish man sit down at a piano and drawl out doses of grim reality that made me grin and think about this land that’s our land—for better and for worse.

Business
Culture
Food

This seaside town will power thousands of homes with waves

A test site off the Oregon coast could be key to unlocking wave power in the United States. Surprisingly, residents aren’t opposed.

NEWPORT, Ore. — At a moment when large offshore wind projects are encountering public resistance, a nascent ocean industry is showing promise: wave energy.It’s coming to life in Newport, a rainy coastal town of nearly 10,500 people located a couple of hours south of Portland. Home to fishing operators and researchers, Newport attracts tourists and retirees with its famous aquarium, sprawling beaches and noisy sea lions. If you ask anyone at the lively bayfront about a wave energy project, they probably don’t know much about it.And yet right off the coast, a $100 million effort with funding from the Energy Department aims to convert the power of waves into energy, and help catch up to Europe in developing this new technology. The buoy-like contraptions, located several miles offshore, will deliver up to 20 megawatts of energy — enough to power thousands of homes and businesses.As federal officials look to shift America’s electricity grid away from fossil fuels, they are seeking alternatives to solar and wind, which can only deliver energy when the sun shines or the wind blows. Waves — constant and full of untapped energy — have emerged as a promising option. And because wave energy projects are relatively unobtrusive, they’re far less controversial than offshore wind, which has generated fierce opposition on both U.S. coasts. In September, the Biden administration announced up to $112.5 million would go toward the development of wave energy converters, the largest federal investment in marine energy.There’s enough energy in the waves off America’s coasts to power one third of all the nation’s homes, said Matthew Grosso, the Energy Department’s director of the water power technologies office.Spanning 2.65 square miles and located seven miles out from shore, the PacWave test site is expected to be a “game changer for marine energy,” he said in an interview.Under the water, subsea connectors are waiting to be plugged in like extension cords to wave energy converters developed by teams around the world. With deep-sea offshore testing, companies will see how much power these energy converters can produce, whether they can hold up in rough ocean conditions, what environmental impacts they might have and how the devices will interact with each other.PacWave, a project of Oregon State University (OSU), represents a necessary step for commercializing wave energy, experts said.“The research that’s been done in the past 15 years is reaching the point of what we can do just in labs or in theory,” Grosso said. “We’ve got to start testing some of this stuff out and see what works and what doesn’t.”How wave energy worksUnlike other forms of renewable energy, engineers have not yet settled on a single model of wave energy converters. While wind turbines have converged into the three-blade turbine shape, there’s many types of wave energy converters in development, turning the motion of the wave into electrical energy in different ways.You can feel the energy in the waves, when it laps at the shore or when it rocks your boat. Created by wind over the sea, it’s one part of the ecosystem of renewable energy that’s available to us. But since waves don’t move in a linear motion, they’re harder to capture energy from than the flow of wind over a turbine, for example.One wave energy converter may not work in all environments, either — models can vary based on the depth of water and conditions the converter will operate in. Some use rotating cylinders; some are buoys that move up and down with the waves; others look like snakes with joints that move when waves roll through.But all of these devices use the oscillating or orbital motion of a wave to generate an electrical current, explained PacWave Chief Scientist Burke Hales, in the same way that turbines use rotations to generate a current.With four different berths, the site can host devices by multiple developers at once. The cables carrying the electricity are buried under the seafloor, running 12 miles diagonal to the shoreline to avoid a rocky reef. On land, an operating site measures the energy output and sends the energy to the Central Lincoln power utility.Because there’s no wave energy converters plugged in yet, there’s still a clear view of the horizon from Newport’s beaches. But even the larger devices are unlikely to be visible to the naked eye once they’re there in the new year.Coexisting with fisheriesThe PacWave site sits where crabbers set out their pots to catch Dungeness crab, one of the West Coast’s most important seafood species. And yet, unlike an offshore wind project a hundred miles down the coast that sparked strong opposition, most residents are either unaware of the wave energy project or support it. The fact that the project is limited, and unlikely to spur commercial activity offshore that could damage the town’s fishing economy, has helped its cause.When deciding where to locate the project, Newport won out for its proximity to OSU’s main campus in Corvallis and the local fishing fleet’s openness to the idea. The town also hosts the National Oceanic and Atmospheric Administration’s Marine Operations Center for the Pacific, which has its own research fleet.PacWave also brought the promise of jobs, said Belinda Batten, who conducted outreach for PacWave when she directed the Energy Department’s Northwest National Marine Renewable Energy Center. Many here remember how NOAA’s move to Newport in 2011 created employment opportunities.Perhaps most importantly, OSU already had a strong relationship with the community given the marine center in town, according to Charlie Plybon, who lives in Newport and is the Oregon senior policy manager for the nonprofit Surfrider Foundation.It took years of outreach and many town hall meetings for Batten, who now serves as a senior adviser to the OSU provost, and Kaety Jacobson, Lincoln County commissioner and a fisherman’s daughter, to cement their trust with the community. When they assembled some fleet members to decide the site, it took all of 10 minutes for the crabbers to draw a plot on a map of the ocean for a location that could work for everyone involved.That area was important fishing grounds for the fleet, said crabber Bob Eder. In his button-down shirt and sneakers, Eder knows he doesn’t look like a stereotypical fisherman, but he’s one of the most well-respected crabbers in the fleet and still goes out in the waters every season at the age of 73. The PacWave site could represent a loss of hundreds of thousands of dollars for the fleet every crabbing season, he said. On the navigation system in his boat, he pointed to a map that showed he had previously crabbed in the area that was now off limits.But the operators agreed to give it up for the sake of the experiment.Eder, a representative of the fishing community during the process, said that the agreement with Oregon State was a show of goodwill from the fishing community, whose members care about the environment and want to preserve their livelihood.“[Climate change] definitely affects those of us whose work is directly involved with the environment,” he said. “And so every fishery is at an environmental risk.”Where wave energy could thriveIn states like Oregon, where an abundance of renewable energy has lowered the price of electricity to around 3½ cents per kilowatt hour, wave energy isn’t a competitive option. The first large-scale commercial wave energy project, by contrast, is expected to produce electricity costing 12 to 47 cents per kilowatt hour.But in small, remote communities that depend on more expensive diesel fuel, wave power could ease energy woes.“There’s remote communities in Alaska where everyone is running on diesel generators, they’re not on the grid, they have no electrical system,” said PacWave Director Dan Hellin.The wave industry first has to overcome several challenges. The consensus in the industry is that wave energy’s development is 20 years behind that of wind. But Tim Ramsey, the Energy Department’s marine energy program manager, pointed out that wind began to take off at that point, in the early 2000s.In addition, putting something into offshore waters usually requires extensive federal permitting, which can take years. That’s why this test site is important for developers — PacWave’s operation offers a site that has already earned the necessary approvals.In order for wave energy to be economically viable, developers need to lower its cost. Technological advancements can help, and just as solar and wind energy have received government subsidies, federal support could help get wave energy off the ground.Members of the Newport fishing fleet — even those who aren’t fans of the project — have hope that this renewable energy offers possibilities.Crabber Bob Kemp, 75, said he isn’t thrilled that he won’t be able to fish for crab in that part of the ocean anymore, but he’s counting on the researchers to make good use of the space they’ve taken.“I want to make sure the project has some kind of pressure on it to keep going and not just [move on] like a contractor moves on to a new house,” Kemp said. “I want them to stay on that.”

Business
Climate
Energy

Suggested Viewing

Small Footprints: Crafting an Eco-Lodge in Wild Alaska

In 2008, a sustainable development project began in the middle of the Kenai Fjords of Alaska, 3 hours by boat from the nearest port of civilization. Told from the points of view of crew members, project coordinators and the Native Alaskan corporation that owns the land itself, the film is both a celebration of and a blueprint for sustainable construction, as well as an exciting battle against time and the elements deep within wild Alaska.

Sustainable
Business
Documentary

Toxic Business

A documentary on the profits international chemical companies are gaining in Africa at cost of the health of small-scaled-farmers and consumers.International chemical companies sell high toxic agro-chemicals in Kenya, which are banned since long in Europe. They are banned because their ingredients cause cancer and have a major negative impact on the nature and environment. Anyhow – in developing countries like Kenya those toxic chemicals are sold without any regulations through small agro-shops all over the country. The small scaled farmers do believe in the promises of better and safer harvest those companies give. Today, the use of pesticides even inside the villages is already a daily business. Furthermore many of them already depend on hybrid seeds, old and resistant seeds supplants. Most of the consumers do not have the knowledge, how dangerous those agro-chemicals are: the WHO announced that annually 346.000 people die, caused by accidentally poisoning with those chemicals, 2/3 of them within developing countries.In the face of world food, industry is trying to push its way into the markets. On the contrary, statistics and alternative farming methods in East Africa show that it no longer needs chemicals and hybrid seeds to feed the world, but a general rethinking.

Agriculture
Chemicals
Business

The Fellowship of the Springs

Florida’s artesian springs are a natural wonder of the world. As unique as the geysers of Yellowstone and as mesmerizing as Vernal Falls in Yosemite, these blue jewels surrounding the north Florida landscape are considered a treasure by many who see them. The state contains the largest and highest concentration of fresh water springs on earth. But today, the future of Florida’s springs is uncertain. With flow levels declining and nitrate pollution on the rise, the springs today bear the scars of a profound struggle. Florida's own government continues to approve permits for large companies that want to pump water from the springs and their springsheds, for nominal permit fees that often cost less than a day pass to Disney World. The Fellowship of the Springs takes viewers behind the scenes of the fight to save Florida's springs, from the halls of the state capitol in Tallahassee to deep caves of Ichetucknee spring.

Water
Government
Business

Let There be Light

Genesis 1:3 And God said, “Let there be light,” and there was light. Taiwan was founded on agriculture in the early days. However, in the face of rapid urbanization, there was no time to build infrastructure such as sewage pipelines, and a large amount of sewage was discharged indiscriminately, causing severe water pollution. To connect domestic sewage to the water purification plant and turn it into water resources that can be continuously recycled, the sewage engineering team adopted a most humane "equation" to appease and compensate the residents disturbed by the project. They invited the residents to participate in the beautification design of the back alley, which was damaged by the engineering project, and hired old painters who have painted "Roman Holiday" and "Back to the Future" movie billboards, and new generation painters to create with colorful brushes. The colorful paintings make the originally dark, dirty, and smelly back alleys clean and bright, and people are more willing to enter the back alleys to make tea and chat, a secret paradise for locals is then created. Let’s walk into the back alleys and see how the light makers light up the back alleys with human touch and let the light penetrate the water, creating Formosa’s unique “Light Making Equation”. This action has been carried out since 2016 and will continue in the future.

Water
Business
Pollution

The Rulindo Challenge

In May 2010, Rulindo, Rwanda launched an ambitious plan to bring access to water and sanitation services to the entire district population. This film explores the story, challenges and ultimate success for reaching over 330,000 people with safe water in the rural and mountainous Rulindo District, and how this project is inspiring sustainable water (infrastructure and sanitation) models around the world.

Sustainable
Business
Health

Join us to forge
a sustainable future

Our team is always growing.
Become a partner, volunteer, sponsor, or intern today.
Let us know how you would like to get involved!

CONTACT US

sign up for our mailing list to stay informed on the latest films and environmental headlines.

Subscribers receive a free day pass for streaming Cinema Verde.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.