Environmental Muralist Faunagraphic Brings an Urban Oasis to the Concrete Jungle

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Monday, October 28, 2024

As more and more of Earth’s natural beauty gets paved over each year, one woman has made it her mission to capture the wonder of the world beyond the cityscape and inspire people to venture outside the concrete and steel. Artist Sarah Yates, who works under the name Faunagraphic, is known for her massive murals: 20-foot-high wild birds or brilliantly rendered octopi with tentacles that snake along the bricks for a whole city block and transform what was once cold and lifeless into an enlightening expression of nature’s wonders. “I love to paint small things on a large scale,” she says. “This wasn’t really a style when I first began as a graffiti artist. Most graffiti artists were painting letters, so at first I felt a bit like a black sheep. But I painted the birds I loved, and the public, in turn, loved my art.”   View this post on Instagram   A post shared by Faunagraphic (@faunagraphic) Faunagraphic’s work has been transformative for the cities and villages that have invited her to create colorful murals within their borders. Neighbors emerge from their cramped quarters, entranced by the sight of the mesmerizing imagery blooming in their neighborhood, waving at the smiling woman with wild auburn hair on her scaffold with her spray-paint cans. A child asks his mother what kind of bird she’s painting. The mother remembers the bird from when she was young and tells her child the story, saying they’ll have to go looking for the bird one day. The art’s spell has settled into the hearts and minds of the residents, a magic that they’ll take with them throughout the day, making them dream of a world without roads, wild and free and untainted by industry. Environmentalism through art. Conservation through contemplative thought. “I developed my style through painting the things I loved,” she says. “I have always loved game design, fantasy art, stories of magic, folklore, ancient history, future tech … I always wanted to have something within my work to keep me inside that imaginative place.” Born in Blackburn, Lancashire, England, Yates discovered her passion for creating art with spray paint as a 19-year-old graphic design student. Over the next 15 years, Faunagraphic honed her craft of blending graphic elements with nature-related realism. It became her mission to advocate for the importance of the natural world through the beautification of urban developments. “I love nature and the things that inspire us inside the woods — the feelings we get when walking through a forest path full of bluebells, bright green grasses, little birds shifting through the trees. I put myself in that place when I draw and try to surround myself with these things.” Her audience easily interprets the message behind her art and advocacy: Embrace nature more. “At times my message is more to remind people of how lucky we are and how beautiful and unique our planet is,” she remarks. “To value time, help others, and love each other. Our world has many issues, but nature is always at the core. When we have nothing and someone’s life is not going great, I hope only that they can find joy in nature, at least.” Painting to Heal Much as being in nature can provide psychological healing, Faunagraphic hopes her work can achieve a similar effect in the heart of a city. “I believe it has a big impact on peoples’ wellbeing,” she says. “Seeing any form of creativity triggers ideas in people: clear thinking, positive reactions. They then walk away to lead their own inspirational or motivational behavior within their circles of influence.”   View this post on Instagram   A post shared by Faunagraphic (@faunagraphic) Faunagraphic reflected on a particularly difficult time in her own life where she drew upon the solace of the natural world for peace and strength. “I was very sick and in the hospital with blood cancer when I was 18,” she says. “I wasn’t allowed to leave my room for 30 days. I was in confinement, isolation. However, each day at the same time different animals would pass by my window, including fox cubs who would play in the grass outside. I wasn’t sure what the future had planned for me, but I stayed positive and tried to be strong, knowing that soon I could go outside again into the greenery and wind.” Her mind drifted to things others have told her about how her work has changed and inspired them. “I hear a lot of stories about people starting to watch birds when a family member dies or something traumatic happens to them,” she says. “These kinds of stories move me. I feel there is a more spiritual connection that people overlook until they are on their own, having a quiet moment in nature and realize they are not alone.” I ask about her work with children as an activist and preservationist, and whether she’d observed a difference in the responses of children versus adults when it comes to the idea of nature conservation. “I think children are more engaged,” she says. “They want to get involved, to help more. They want to make their own art. Adults are more reflective and take the inspiration into their lives in their own ways. It’s very positive.” Art Spreads Its Wings When it comes to her focus in the world of environmental conservation, Faunagraphic is drawn to several different bird societies across the United Kingdom and Europe, including the Royal Society for the Protection of Birds — RSPB for short — and Swift Conservation. During 2024 she has focused on heritage and urban regeneration projects, one being a new UNESCO protected site, the details of which are still developing. In a past interview on the BirdBuddies blog, Faunagraphic remarked, “I always find the story of the RSPB amazing. I have a few friends and they’re like, ‘Oh, protesting for nature, it doesn’t get anywhere.’ And I’m like, that’s wrong, because the RSPB was just two women that started it off, fighting for the rights of these birds, because they kept getting slaughtered for hats, and the birds were going extinct. And that’s how it all began, just two women.”   View this post on Instagram   A post shared by Faunagraphic (@faunagraphic) Faunagraphic doesn’t limit her artistic endeavors to murals. She has been invited to participate in dozens of European gallery exhibits and installations. Recently she extended her presence in the art world across the Atlantic Ocean to be part of the 2023 Aruba Art Fair in the Caribbean Islands. Faunagraphic has also collaborated with some of the most influential brands today — including Sony, TOMS Shoes, Converse, Diesel, Pioneer, and Reebok — to design unique nature-themed consumer products. She might even launch her own product line one day. “It’s something I’m working on,” she says. “I love linen and organic or sustainable fabrics, which I would then screenprint onto. I have been spending years speaking with different suppliers in different countries, as well as machinists and clothing makers.” Faunagraphic’s stunning and impactful work reaches thousands of people every year, and her murals could continue to inspire viewers for generations to come. She understands the power of her murals on young and old alike and continues to strive to spread her message of nature conservation. With every thoughtful swath of paint, Faunagraphic continues to make the human fabricated landscape — as well as the lives of those who live within it — a little more beautiful by turning concrete jungles into urban oases. Ultimately Faunagraphic’s hope is to reconnect people to the Earth and reinvigorate their childlike curiosity about the natural world. For it’s only through a deeper connection with nature that we can preserve the beauty of our world. “Small steps lead to big changes, you know.” Scroll down to find our “Republish” button Previously in The Revelator: Project Animalia: A Year in 365 Animal Paintings The post Environmental Muralist Faunagraphic Brings an Urban Oasis to the Concrete Jungle appeared first on The Revelator.

Massive art installations depicting birds and other wildlife help bring a touch of nature, and creative inspiration, to cities around Europe. The post Environmental Muralist Faunagraphic Brings an Urban Oasis to the Concrete Jungle appeared first on The Revelator.

As more and more of Earth’s natural beauty gets paved over each year, one woman has made it her mission to capture the wonder of the world beyond the cityscape and inspire people to venture outside the concrete and steel.

Artist Sarah Yates, who works under the name Faunagraphic, is known for her massive murals: 20-foot-high wild birds or brilliantly rendered octopi with tentacles that snake along the bricks for a whole city block and transform what was once cold and lifeless into an enlightening expression of nature’s wonders.

“I love to paint small things on a large scale,” she says. “This wasn’t really a style when I first began as a graffiti artist. Most graffiti artists were painting letters, so at first I felt a bit like a black sheep. But I painted the birds I loved, and the public, in turn, loved my art.”

 

View this post on Instagram

 

A post shared by Faunagraphic (@faunagraphic)

Faunagraphic’s work has been transformative for the cities and villages that have invited her to create colorful murals within their borders. Neighbors emerge from their cramped quarters, entranced by the sight of the mesmerizing imagery blooming in their neighborhood, waving at the smiling woman with wild auburn hair on her scaffold with her spray-paint cans. A child asks his mother what kind of bird she’s painting. The mother remembers the bird from when she was young and tells her child the story, saying they’ll have to go looking for the bird one day. The art’s spell has settled into the hearts and minds of the residents, a magic that they’ll take with them throughout the day, making them dream of a world without roads, wild and free and untainted by industry.

Environmentalism through art. Conservation through contemplative thought.

“I developed my style through painting the things I loved,” she says. “I have always loved game design, fantasy art, stories of magic, folklore, ancient history, future tech … I always wanted to have something within my work to keep me inside that imaginative place.”

Born in Blackburn, Lancashire, England, Yates discovered her passion for creating art with spray paint as a 19-year-old graphic design student. Over the next 15 years, Faunagraphic honed her craft of blending graphic elements with nature-related realism. It became her mission to advocate for the importance of the natural world through the beautification of urban developments.

“I love nature and the things that inspire us inside the woods — the feelings we get when walking through a forest path full of bluebells, bright green grasses, little birds shifting through the trees. I put myself in that place when I draw and try to surround myself with these things.”

Her audience easily interprets the message behind her art and advocacy: Embrace nature more.

“At times my message is more to remind people of how lucky we are and how beautiful and unique our planet is,” she remarks. “To value time, help others, and love each other. Our world has many issues, but nature is always at the core. When we have nothing and someone’s life is not going great, I hope only that they can find joy in nature, at least.”

Painting to Heal

Much as being in nature can provide psychological healing, Faunagraphic hopes her work can achieve a similar effect in the heart of a city.

“I believe it has a big impact on peoples’ wellbeing,” she says. “Seeing any form of creativity triggers ideas in people: clear thinking, positive reactions. They then walk away to lead their own inspirational or motivational behavior within their circles of influence.”

 

View this post on Instagram

 

A post shared by Faunagraphic (@faunagraphic)

Faunagraphic reflected on a particularly difficult time in her own life where she drew upon the solace of the natural world for peace and strength.

“I was very sick and in the hospital with blood cancer when I was 18,” she says. “I wasn’t allowed to leave my room for 30 days. I was in confinement, isolation. However, each day at the same time different animals would pass by my window, including fox cubs who would play in the grass outside. I wasn’t sure what the future had planned for me, but I stayed positive and tried to be strong, knowing that soon I could go outside again into the greenery and wind.”

Her mind drifted to things others have told her about how her work has changed and inspired them.

“I hear a lot of stories about people starting to watch birds when a family member dies or something traumatic happens to them,” she says. “These kinds of stories move me. I feel there is a more spiritual connection that people overlook until they are on their own, having a quiet moment in nature and realize they are not alone.”

I ask about her work with children as an activist and preservationist, and whether she’d observed a difference in the responses of children versus adults when it comes to the idea of nature conservation.

“I think children are more engaged,” she says. “They want to get involved, to help more. They want to make their own art. Adults are more reflective and take the inspiration into their lives in their own ways. It’s very positive.”

Art Spreads Its Wings

When it comes to her focus in the world of environmental conservation, Faunagraphic is drawn to several different bird societies across the United Kingdom and Europe, including the Royal Society for the Protection of Birds — RSPB for short — and Swift Conservation. During 2024 she has focused on heritage and urban regeneration projects, one being a new UNESCO protected site, the details of which are still developing.

In a past interview on the BirdBuddies blog, Faunagraphic remarked, I always find the story of the RSPB amazing. I have a few friends and they’re like, ‘Oh, protesting for nature, it doesn’t get anywhere.’ And I’m like, that’s wrong, because the RSPB was just two women that started it off, fighting for the rights of these birds, because they kept getting slaughtered for hats, and the birds were going extinct. And that’s how it all began, just two women.”

 

View this post on Instagram

 

A post shared by Faunagraphic (@faunagraphic)

Faunagraphic doesn’t limit her artistic endeavors to murals. She has been invited to participate in dozens of European gallery exhibits and installations. Recently she extended her presence in the art world across the Atlantic Ocean to be part of the 2023 Aruba Art Fair in the Caribbean Islands.

Faunagraphic has also collaborated with some of the most influential brands today — including Sony, TOMS Shoes, Converse, Diesel, Pioneer, and Reebok — to design unique nature-themed consumer products.

She might even launch her own product line one day. “It’s something I’m working on,” she says. “I love linen and organic or sustainable fabrics, which I would then screenprint onto. I have been spending years speaking with different suppliers in different countries, as well as machinists and clothing makers.”

Faunagraphic’s stunning and impactful work reaches thousands of people every year, and her murals could continue to inspire viewers for generations to come. She understands the power of her murals on young and old alike and continues to strive to spread her message of nature conservation. With every thoughtful swath of paint, Faunagraphic continues to make the human fabricated landscape — as well as the lives of those who live within it — a little more beautiful by turning concrete jungles into urban oases.

Ultimately Faunagraphic’s hope is to reconnect people to the Earth and reinvigorate their childlike curiosity about the natural world. For it’s only through a deeper connection with nature that we can preserve the beauty of our world.

“Small steps lead to big changes, you know.”

Scroll down to find our “Republish” button

Previously in The Revelator:

Project Animalia: A Year in 365 Animal Paintings

The post Environmental Muralist Faunagraphic Brings an Urban Oasis to the Concrete Jungle appeared first on The Revelator.

Read the full story here.
Photos courtesy of

Time Spent in Nature is Good for Your Brain, but an Excess Can Negate These Benefits

A “Goldilocks” measure of green space might help stave off dementia, but an excess could lead to cognitive decline

Time Spent in Nature Can Be Good—and Sometimes Bad— for Your BrainA “Goldilocks” measure of green space might help stave off dementia, but an excess could lead to cognitive declineBy Teresa Schubert edited by Gary StixThere's nothing like a good walk through your local park to unwind and release stress from a busy day. Taking some time in nature is undeniably good for you, with well-documented benefits to physical and mental health. But new research suggests that when it comes to the risk of dementia and Alzheimer’s disease, easy access to nature can sometimes help but, at other times, can be too much of a good thing.The causes of dementia—a broad category of conditions that can affect memory, language and other brain capacities—are multifaceted and complex. There is often a genetic component, but there are also contributions from health risk factors that arise throughout life. In 2024 the Lancet Commission on dementia identified 14 such factors that reliably increase the risk of developing dementia. These include physical health factors such as cardiovascular disease, high LDL cholesterol, diabetes, and obesity and traumatic brain injury, as well as psychological factors such as depression and social isolation.Thousands of studies provide solid evidence about the dangers of these risk factors, but researchers are far from having all the answers about dementia. In the past 10 or so years, researchers have begun looking beyond these established risks to the effect of an individual’s physical and social environment, which might be more under our control than factors such as genetic predisposition. You might not be able to change your genes, but in some cases, you can change where you live or your hobbies or habits. According to Marco Vinceti of the University of Modena and Reggio Emilia in Italy, “there is growing and convincing evidence that risk of neurodegenerative disease, including cognitive impairment and dementia, can be substantially reduced by environmental and behavioral factors, and this may even be true in individuals having high genetic susceptibility.” Studying the role of environmental factors has led to the recent discovery that exposure to air pollution (such as from wildfire smoke or heavy traffic) increases your chances of developing dementia. This is also the line of questioning that led researchers to discover the positive effects of green space.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.The benefits of green space for mental and brain health are numerous. Living near and spending time in green space (including parks, wooded areas and even farmland) can decrease the risk of cardiovascular disease and type 2 diabetes and is associated with a lower risk of Alzheimer’s disease and other forms of dementia later in life. According to Anjum Hajat, an epidemiologist at the University of Washington School of Public Health, access to green space “is important because it provides people with an easy, low-cost option to improve their health. Spending time in nature may have other benefits, too, like increasing physical activity or increasing time spent with friends and family; both of these things have many health benefits.”Based on this research, you might be ready to give up city life. You might presume that more green space is better, and that living on a few wooded acres with nothing but trees for miles around will lead to the lowest possible chance of dementia. It turns out this is not so simple. A 2022 research study led by Federico Zagnoli of the University of Modena and Reggio Emilia revealed that more green space is not always better. The researchers found a U-shaped association between exposure to green space and dementia risk—low levels of green space were associated with a higher likelihood of developing dementia, and medium levels were linked to a lower risk. But the highest level of green space exposure didn’t reduce dementia risk relative to the medium level—and in some cases even increased it! In other words, too little green space has an adverse effect, but so might too much of it.Why might more of a good thing be bad? Living out in nature can mean lower access to medical and social services, fewer places to socialize and higher chances of social isolation—circumstances that would otherwise support brain health and reduce dementia risk. Although research on some of these factors is still ongoing and not yet certain, there is solid evidence for the risks of social isolation. As Vinceti puts it, “The higher risk of dementia associated with ‘extremely high’ green spaces around the place of residence is likely attributable to social isolation and socioeconomic disadvantage in certain rural areas. Rurality may also be correlated with other risk factors, such as lower socioeconomic status or high pesticide exposure.” So the conclusion is that green space itself is not bad for your brain health, but living on a few acres of land surrounded by forest and farmland might increase your risk of dementia in other ways. Although trees have a positive effect, they are no substitute for a nearby hospital, local community center and a walkable neighborhood with friendly neighbors. Aiming for the lowest possible dementia risk is all about a balance: enough neighborhood density to have easy access to services and social support but plenty of trees for a walk in the park..

Defra asks England’s biggest landowners to come up with plans to restore nature

Exclusive: Representatives of king, National Trust and others called on to work together to protect environmentUK politics live – latest updatesSteve Reed called in some of England’s biggest landowners for a meeting on Thursday, asking them to come up with meaningful plans to restore nature on their estates.Representatives for King Charles and Prince William were among those at the meeting, asked by the environment secretary to draft new land management plans to help meet the country’s legal Environment Act targets. Continue reading...

Steve Reed called in some of England’s biggest landowners for a meeting on Thursday, asking them to come up with meaningful plans to restore nature on their estates.Representatives for King Charles and Prince William were among those at the meeting, asked by the environment secretary to draft new land management plans to help meet the country’s legal Environment Act targets.The landowners also included third-sector organisations such as the National Trust, RSPB and the Wildlife Trusts, along with representatives from the government estate such as the Ministry of Defence and Natural England.Between them, the assembled “National Estate for Nature” group own 10% of England’s land, making their cooperation crucial if ministers are to meet legally binding environment targets and stop the decline of nature.Reed called them to action to collectively protect and restore nature on their estates across England, asking them to report back on potential new approaches for sustainable land use, land management, change, or investment. He said the group should set minimum standards for land management plans, with clear milestones for nature restoration and protections.He said: “Landowners must go further and faster to restore our natural world. The National Estate for Nature, who manage a tenth of the land in this country, have a responsibility to future generations to leave the environment in a better state. We have a unique opportunity to work together on common sense changes that create a win-win for nature, the economy, and make the best use of the land around us.”Just 8% of the land and sea in England is protected for nature. The government has a target to reach 30% by 2030, but wildlife groups say the proportion of land “effectively protected” for nature is even lower than the official statistic, at 2.93%. Nature across England continues to be in decline, with wild bird numbers decreasing each year. The 2023 state of nature report described the UK as one of the most nature-depleted countries in the world, based on declines since the 1970s.The Labour government hopes to accelerate efforts to meet these targetsand recently legalised the wild release of beavers and announced a land use framework that will provide guidance on how to best use land for food and nature.The environmental campaigner Guy Shrubsole said: “Major landowners in England like the Forestry Commission, crown estate and water companies own millions of acres of land – it’s only right that we expect them to repair the badly damaged habitats that they own.”He argued that large landowners should make their plans to protect nature public so that they can be scrutinised and held to account: “The government must mandate these landowners to publish their plans for nature restoration, so the public can see how the land is being looked after on our behalf – and change the outdated legal duties of public bodies to prioritise restoring ecosystems and fixing the climate crisis.”skip past newsletter promotionThe planet's most important stories. Get all the week's environment news - the good, the bad and the essentialPrivacy Notice: Newsletters may contain info about charities, online ads, and content funded by outside parties. For more information see our Privacy Policy. We use Google reCaptcha to protect our website and the Google Privacy Policy and Terms of Service apply.after newsletter promotionHarry Bowell, the director of land and nature at the National Trust, said: “We are delighted to join the National Estate for Nature group, bringing the National Trust’s stewardship of 250,000 hectares to the table. As the government’s land use framework makes clear, a transformation in the use of land is needed if we are to meet our nature and climate targets. The biggest landowners – us included – have the power, and responsibility, to drive forward that transformation.”Further quarterly meetings are expected to focus on developing and implementing agreed on-the-ground plans to drive nature’s recovery.

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