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Coppola, Raitt and the Dead make latest Kennedy Center Honors class

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Thursday, July 18, 2024

Three artists, a band and a building walk into the Kennedy Center.Well, that’s probably not how it’ll happen. But in an usual twist, storied Harlem theater the Apollo, New York’s gravitational center for Black arts which turns 90 this year, is among the 47th class of Kennedy Center honorees.The honor “certainly wasn’t expected,” said the Apollo’s president and CEO, Michelle Ebanks. “Artists receive this award. But then the Apollo is an iconic stage for artists.”The class announced by the arts center Thursday includes some famous human names: renowned filmmaker Francis Ford Coppola; blues-rock star Bonnie Raitt; celebrated Cuban American trumpeter and composer Arturo Sandoval; and beloved band the Grateful Dead, whose living honorees are Mickey Hart, Bill Kreutzmann, Phil Lesh and Bob Weir.Kennedy Center President Deborah F. Rutter said there isn’t a theme when selecting the honorees, but one often emerges organically. This year, that accidental theme is “a reflection of American culture through its music and how music is used to create American culture,” she said, pointing to the Grateful Dead as a cultural institution, the Apollo as a musician maker and the use of music in Coppola’s films.The Dec. 8 ceremony will take place in the 2,364-seat Opera House, where celebrity guests, top secret until the night of, will celebrate the honorees from the stage. The center has not decided whether the evening will follow tradition and include a host (last year’s was previous honoree Gloria Estefan). The show will be broadcast on CBS and streamed on Paramount Plus on Dec. 23.The Apollo — which launched the careers of Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Stevie Wonder and Gladys Knight, among many others — is the first physical institution to receive the honor, but the Kennedy Center has zagged before. In addition to honoring full bands (Led Zeppelin, U2, the Eagles), it has celebrated “Sesame Street” (all of it) and the cast of the Broadway sensation/D.C. catnip “Hamilton.”The award will cap a year-long 90th birthday celebration for the theater, which included its first major expansion a few doors down on 125th Street with the opening of the Apollo Stages at the Victoria. Plans are also underway for a full-scale restoration of its historic theater, which includes an expansion of the lobby and a new cafe.“This is a wonderful spotlight on the exciting work that continue to happen at the Apollo Theatre as we propel ourselves forward for the next 90 years,” Ebanks said. “The work continues.”Ask any cinephile, and they’ll probably tell you Francis Ford Coppola directed not one but two of the best American movies: “The Godfather” and “The Godfather: Part II.” They might mention “The Godfather” came out only a year after winning his first of five Oscars (with 12 nods), this one as a screenwriter for the 1970 film “Patton.” Oh, and he released “The Conversation” and “Apocalypse, Now” that same decade.Ask any grocery store oenophile, and they’ll probably tell you about the affordable wines produced by the Sonoma Valley vineyard he nurtured and sold in 2021.Even so, he figured his chance at an Honor had passed.“I sort of assumed it wasn’t going to come to me, because it hadn’t,” Coppola said. “I was surprised. I just figured whoever makes the decision must have changed or something, because for years, I was congratulating my younger colleagues.”On Dec. 8, he’ll join other directors of his generation in receiving the honor, including Steven Spielberg and Martin Scorsese. He paid tribute to Scorsese during the “Goodfellas” director’s own Kennedy Center Honors ceremony in 2007.It’s one of two major moments for Coppola this year. His longtime passion project “Megalopolis,” an epic sci-fi drama with a stunning ensemble cast that he spent $120 million of his money to make, debuted at Cannes in May and is scheduled for theatrical release in September.Coppola is particularly thrilled to be recognized alongside fellow Bay Area figures, the Grateful Dead. “I even looked like Jerry Garcia,” he said. “We were always confused, one for the other.”Bob Weir isn’t particularly fond of awards shows. “If I was given the choice in the matter, I’d probably duck the ceremony and just pop into the White House and receive the honor,” he says. “But that’s not how it’s done.”Instead, Weir will be in the balcony with the remaining members of the band he co-founded in 1965 California: the Grateful Dead, a countercultural force that helped define that decade’s psychedelia movement, the rock band that blended wide-ranging genres from rock to jazz to reggae and earned an incredibly loyal fan base: the Dead Heads.“There are a lot of honors that I’ve received and stuff like that, that I can live without, that I just don’t relate to. In this particular case, I’m thinking this one does kind of ring true,” he said. “My muse has always been the American musical tradition.”By the time founding member Jerry Garcia died in 1995 — a year after the band was the inducted into the Rock & Roll Hall of Fame and eight years after receiving a Grammy Lifetime Achievement Award — the group had attracted the most concertgoers in the history of the music business. It disbanded a month before Garcia’s death, and still holds the world record for most concerts: 2,318.Since then, the band has reformed in various iterations, including the Dead and Dead & Company, inviting other artists like John Mayer to join the lineup. The Grateful Dead is more cultural institution than band, a groovy slice of American history, nonconformists who will now sit next to the president of the United States while luxuriating in praise.Original bandmates Garcia and Ron “Pigpen” McKernan, who died in 1973, will be in Weir’s heart — and, he said, hopefully represented onstage.“We’ve already looked into this, so there’s not posthumous presentation, so that’s not a move on the board,” he says. “But I’m busy scheming away on ways to bring their presence to that night’s storytelling.”Bonnie Raitt attended the first Kennedy Center Honors in 1978, when her father paid tribute to Richard Rodgers. She took the stage twice over the years, as she paid tribute to Mavis Staples and Buddy Guy — but she never expected to be in the balcony.“Most of the time, it’s people with decades of hit records or many, many hit movies or successful novels,” Raitt said. “I basically welled up with tears when the reality of it set in. I don’t know what’ll be more wonderful: the actual awards, or hearing about it for the first time.”For nearly two decades, only those in the know knew about Bonnie Raitt. The rock-blues (-country-folk-R&B) guitarist and songwriter released her first album in 1971 and remained a cult favorite until her 1989 album, “Nick of Time.”Now 74, she’s won 13 Grammys and was inducted into the Rock & Roll Hall of Fame in 2000. Rolling Stone has dubbed her among both the “100 Greatest Guitarists of All Time” and the “100 Greatest Singers of All Time.”Toss in her environmental and social activism — which includes helping found MUSE, or Musicians United for Safe Energy, in 1979 — and you’d be hard-pressed to explain how she’s only being honored by the Kennedy Center now.“I’m so proud to be representing how musicians can make a difference,” Raitt said. “And, you know, as a lead guitar player and woman, there aren’t that many of us around. I’m happy to be acknowledged for that as well.”But she might be most looking forward to seeing old friends, the ones she doesn’t get to connect with as tours take her around the country.“To have them all in one town for the same two days is unbelievable,” Raitt said. “What do you call Disneyland for artists who don’t get to hang out with friends? This would be it.”The Honor is yet another laurel for 74-year-old Arturo Sandoval, widely considered one of the world’s greatest trumpet players and composers. If there’s an accolade to be given, Sandoval’s probably received it. A Grammy? Try 10. Billboard Awards? How about six? An Emmy? Why not? The Presidential Medal of Freedom? Bestowed by Barack Obama.He was born in 1949 in a small town outside Havana and grew up studying American jazz — and soon found international acclaim. During a 1990 tour with the U.N. Orchestra on an invite from his mentor and friend Dizzy Gillespie, he slipped into the U.S. Embassy in Rome to seek asylum, along with his wife and teenage son. They successfully defected from Cuba.Sandoval might be touched by the Kennedy Center Honors, but he’s also motivated by it. What matters more than how “good you are as a baseball player or engineer or musician or whatever is how you behave as a human,” he said. “Your attitude, and how you treat people and help others.”“I feel completely overwhelmed,” Sandoval added. “My English is not good enough to express my gratitude, my emotion.”

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Three artists, a band and a building walk into the Kennedy Center.

Well, that’s probably not how it’ll happen. But in an usual twist, storied Harlem theater the Apollo, New York’s gravitational center for Black arts which turns 90 this year, is among the 47th class of Kennedy Center honorees.

The honor “certainly wasn’t expected,” said the Apollo’s president and CEO, Michelle Ebanks. “Artists receive this award. But then the Apollo is an iconic stage for artists.”

The class announced by the arts center Thursday includes some famous human names: renowned filmmaker Francis Ford Coppola; blues-rock star Bonnie Raitt; celebrated Cuban American trumpeter and composer Arturo Sandoval; and beloved band the Grateful Dead, whose living honorees are Mickey Hart, Bill Kreutzmann, Phil Lesh and Bob Weir.

Kennedy Center President Deborah F. Rutter said there isn’t a theme when selecting the honorees, but one often emerges organically. This year, that accidental theme is “a reflection of American culture through its music and how music is used to create American culture,” she said, pointing to the Grateful Dead as a cultural institution, the Apollo as a musician maker and the use of music in Coppola’s films.

The Dec. 8 ceremony will take place in the 2,364-seat Opera House, where celebrity guests, top secret until the night of, will celebrate the honorees from the stage. The center has not decided whether the evening will follow tradition and include a host (last year’s was previous honoree Gloria Estefan). The show will be broadcast on CBS and streamed on Paramount Plus on Dec. 23.

The Apollo — which launched the careers of Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Stevie Wonder and Gladys Knight, among many others — is the first physical institution to receive the honor, but the Kennedy Center has zagged before. In addition to honoring full bands (Led Zeppelin, U2, the Eagles), it has celebrated “Sesame Street” (all of it) and the cast of the Broadway sensation/D.C. catnip “Hamilton.”

The award will cap a year-long 90th birthday celebration for the theater, which included its first major expansion a few doors down on 125th Street with the opening of the Apollo Stages at the Victoria. Plans are also underway for a full-scale restoration of its historic theater, which includes an expansion of the lobby and a new cafe.

“This is a wonderful spotlight on the exciting work that continue to happen at the Apollo Theatre as we propel ourselves forward for the next 90 years,” Ebanks said. “The work continues.”

Ask any cinephile, and they’ll probably tell you Francis Ford Coppola directed not one but two of the best American movies: “The Godfather” and “The Godfather: Part II.” They might mention “The Godfather” came out only a year after winning his first of five Oscars (with 12 nods), this one as a screenwriter for the 1970 film “Patton.” Oh, and he released “The Conversation” and “Apocalypse, Now” that same decade.

Ask any grocery store oenophile, and they’ll probably tell you about the affordable wines produced by the Sonoma Valley vineyard he nurtured and sold in 2021.

Even so, he figured his chance at an Honor had passed.

“I sort of assumed it wasn’t going to come to me, because it hadn’t,” Coppola said. “I was surprised. I just figured whoever makes the decision must have changed or something, because for years, I was congratulating my younger colleagues.”

On Dec. 8, he’ll join other directors of his generation in receiving the honor, including Steven Spielberg and Martin Scorsese. He paid tribute to Scorsese during the “Goodfellas” director’s own Kennedy Center Honors ceremony in 2007.

It’s one of two major moments for Coppola this year. His longtime passion project “Megalopolis,” an epic sci-fi drama with a stunning ensemble cast that he spent $120 million of his money to make, debuted at Cannes in May and is scheduled for theatrical release in September.

Coppola is particularly thrilled to be recognized alongside fellow Bay Area figures, the Grateful Dead. “I even looked like Jerry Garcia,” he said. “We were always confused, one for the other.”

Bob Weir isn’t particularly fond of awards shows. “If I was given the choice in the matter, I’d probably duck the ceremony and just pop into the White House and receive the honor,” he says. “But that’s not how it’s done.”

Instead, Weir will be in the balcony with the remaining members of the band he co-founded in 1965 California: the Grateful Dead, a countercultural force that helped define that decade’s psychedelia movement, the rock band that blended wide-ranging genres from rock to jazz to reggae and earned an incredibly loyal fan base: the Dead Heads.

“There are a lot of honors that I’ve received and stuff like that, that I can live without, that I just don’t relate to. In this particular case, I’m thinking this one does kind of ring true,” he said. “My muse has always been the American musical tradition.”

By the time founding member Jerry Garcia died in 1995 — a year after the band was the inducted into the Rock & Roll Hall of Fame and eight years after receiving a Grammy Lifetime Achievement Award — the group had attracted the most concertgoers in the history of the music business. It disbanded a month before Garcia’s death, and still holds the world record for most concerts: 2,318.

Since then, the band has reformed in various iterations, including the Dead and Dead & Company, inviting other artists like John Mayer to join the lineup. The Grateful Dead is more cultural institution than band, a groovy slice of American history, nonconformists who will now sit next to the president of the United States while luxuriating in praise.

Original bandmates Garcia and Ron “Pigpen” McKernan, who died in 1973, will be in Weir’s heart — and, he said, hopefully represented onstage.

“We’ve already looked into this, so there’s not posthumous presentation, so that’s not a move on the board,” he says. “But I’m busy scheming away on ways to bring their presence to that night’s storytelling.”

Bonnie Raitt attended the first Kennedy Center Honors in 1978, when her father paid tribute to Richard Rodgers. She took the stage twice over the years, as she paid tribute to Mavis Staples and Buddy Guy — but she never expected to be in the balcony.

“Most of the time, it’s people with decades of hit records or many, many hit movies or successful novels,” Raitt said. “I basically welled up with tears when the reality of it set in. I don’t know what’ll be more wonderful: the actual awards, or hearing about it for the first time.”

For nearly two decades, only those in the know knew about Bonnie Raitt. The rock-blues (-country-folk-R&B) guitarist and songwriter released her first album in 1971 and remained a cult favorite until her 1989 album, “Nick of Time.”

Now 74, she’s won 13 Grammys and was inducted into the Rock & Roll Hall of Fame in 2000. Rolling Stone has dubbed her among both the “100 Greatest Guitarists of All Time” and the “100 Greatest Singers of All Time.”

Toss in her environmental and social activism — which includes helping found MUSE, or Musicians United for Safe Energy, in 1979 — and you’d be hard-pressed to explain how she’s only being honored by the Kennedy Center now.

“I’m so proud to be representing how musicians can make a difference,” Raitt said. “And, you know, as a lead guitar player and woman, there aren’t that many of us around. I’m happy to be acknowledged for that as well.”

But she might be most looking forward to seeing old friends, the ones she doesn’t get to connect with as tours take her around the country.

“To have them all in one town for the same two days is unbelievable,” Raitt said. “What do you call Disneyland for artists who don’t get to hang out with friends? This would be it.”

The Honor is yet another laurel for 74-year-old Arturo Sandoval, widely considered one of the world’s greatest trumpet players and composers. If there’s an accolade to be given, Sandoval’s probably received it. A Grammy? Try 10. Billboard Awards? How about six? An Emmy? Why not? The Presidential Medal of Freedom? Bestowed by Barack Obama.

He was born in 1949 in a small town outside Havana and grew up studying American jazz — and soon found international acclaim. During a 1990 tour with the U.N. Orchestra on an invite from his mentor and friend Dizzy Gillespie, he slipped into the U.S. Embassy in Rome to seek asylum, along with his wife and teenage son. They successfully defected from Cuba.

Sandoval might be touched by the Kennedy Center Honors, but he’s also motivated by it. What matters more than how “good you are as a baseball player or engineer or musician or whatever is how you behave as a human,” he said. “Your attitude, and how you treat people and help others.”

“I feel completely overwhelmed,” Sandoval added. “My English is not good enough to express my gratitude, my emotion.”

Read the full story here.
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Lynx on the Loose in Scotland Highlight Debate Over Reintroducing Species Into the Wild

Scottish environmental activists want to reintroduce the lynx into the forests of the Highlands

LONDON (AP) — Scottish environmental activists want to reintroduce the lynx into the forests of the Highlands. But not this way.At least two lynx, a medium-sized wildcat extinct in Scotland for hundreds of years, were spotted in the Highlands on Wednesday, raising concerns that a private breeder had illegally released the predators into the wild.Two cats were captured on Thursday, but authorities are continuing their search after two others were seen early Friday near Killiehuntly in the Cairngorms National Park. Wildlife authorities are setting traps in the area so they can humanely capture the lynx and take them to the Edinburgh Zoo, where the captured cats are already in quarantine, said David Field, chief executive of the Royal Zoological Society of Scotland.The hunt highlights a campaign by some activists to reintroduce lynx to help control the deer population and symbolize Scotland’s commitment to wildlife diversity. While no one knows who released the cats, wildlife experts speculate that it was either someone who took matters into their own hands because they were frustrated by the slow process of securing government approval for the project, or an opponent who wants to create problems that will block the reintroduction effort.“Scotland has a history of illicit guerrilla releases,” said Darragh Hare, a research fellow at the University of Oxford’s Wildlife Conservation Research Unit, citing releases of beavers and pine martins. But doing it right, in a way that everyone can have their say, is important.“If there’s going to be any lynx introduction into Scotland or elsewhere, the process of doing it the right way, even if it takes longer, is the most important thing,” he added.Lynx disappeared from Scotland between 500 and 1,300 years ago possibly because of hunting and loss of their woodland habitat.Efforts to reintroduce the cats to the wild have been underway since at least 2021 when a group calling itself Lynx to Scotland commissioned a study of public attitudes toward the proposal. The group is still working to secure government approval for a trial reintroduction in a defined area with a limited number of lynx.Lynx are “shy and elusive woodland hunters” that pose no threat to humans, the group says. They have been successfully reintroduced in other European countries, including Germany, France and Switzerland.Supporters of the reintroduction on Thursday issued a statement deploring the premature, illegal release of the cats.“The Lynx to Scotland Project is working to secure the return of lynx to the Scottish Highlands, but irresponsible and illegal releases such as this are entirely counterproductive,” said Peter Cairns, executive director of SCOTLAND: The Big Picture, a group of rewilding advocates that is part of the project.The issues surrounding the potential reintroduction of lynx were on display during a Scottish Parliament debate on the issue that took place in 2023.While advocates highlighted the benefits of reducing a deer population that is damaging Scotland’s forests, opponents focused on the potential threat to sheep and ground-nesting birds.“Lynx have been away from this country for 500 years, and now is just not the time to bring them back,” said Edward Mountain, a lawmaker from the opposition Conservative Party who represents the Highlands.Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See - Sept. 2024

Will Biden Pardon Steven Donziger, Who Faced Retaliation for Suing Chevron over Oil Spill in Amazon?

Massachusetts Congressmember Jim McGovern calls on President Biden to pardon environmental activist Steven Donziger, who has been targeted for years by oil and gas giant Chevron. Donziger sued Chevron on behalf of farmers and Indigenous peoples who suffered the adverse health effects of oil drilling in the Ecuadorian Amazon. “I visited Ecuador. I saw what Chevron did. It is disgusting” and “grotesque,” says McGovern. “Donziger stood up for these people who had no voice.” In return, Chevron has spent millions prosecuting him instead of holding itself to account, he adds, while a pardon from the president would show that the system can still “stand up to corporate greed and excesses.”

Massachusetts Congressmember Jim McGovern calls on President Biden to pardon environmental activist Steven Donziger, who has been targeted for years by oil and gas giant Chevron. Donziger sued Chevron on behalf of farmers and Indigenous peoples who suffered the adverse health effects of oil drilling in the Ecuadorian Amazon. “I visited Ecuador. I saw what Chevron did. It is disgusting” and “grotesque,” says McGovern. “Donziger stood up for these people who had no voice.” In return, Chevron has spent millions prosecuting him instead of holding itself to account, he adds, while a pardon from the president would show that the system can still “stand up to corporate greed and excesses.”

Exxon sues California AG, environmental groups for disparaging its recycling initiatives

ExxonMobil on Monday sued California Attorney General Rob Bonta (D) and a group of environmental activist groups, alleging they colluded on a campaign of defamation against the oil giant’s plastic recycling initiative. The lawsuit, filed in the Eastern District of Texas, could signal a new legal strategy for the fossil fuel industry against environmentalists and...

ExxonMobil on Monday sued California Attorney General Rob Bonta (D) and a group of environmental activist groups, alleging they colluded on a campaign of defamation against the oil giant’s plastic recycling initiative. The lawsuit, filed in the Eastern District of Texas, could signal a new legal strategy for the fossil fuel industry against environmentalists and their allies in government. It argues Bonta defamed Exxon when he sued the company last September by alleging it engaged in a decades-long “campaign of deception” around the recyclability of single-use plastics. Bonta’s lawsuit accused Exxon of falsely promoting the idea that all plastics were recyclable. A report issued by the Center for Climate Integrity last February indicates only a small fraction of plastics can be meaningfully recycled in the sense of being turned into entirely new products. ExxonMobil claimed Bonta’s language in the lawsuit, as well as subsequent comments in interviews, hurt its business. “While posing under the banner of environmentalism, [the defendants] do damage to genuine recycling programs and to meaningful innovation,” the lawsuit states. The complaint also names four national and California-based environmental groups, the Sierra Club, San Francisco Baykeeper, Heal the Bay and the Surfrider Foundation, who sued the company at the same time as Bonta’s office. It accuses Bonta’s office of recruiting the organizations to file the suit. The lawsuit is another salvo in the company’s aggressive recent approach to critics after it sued activist investor group Arjuna Capital in 2024 over its plans to submit a proposal on Exxon greenhouse gas emissions. A Texas judge dismissed the lawsuit in June after Arjuna agreed not to submit the proposal. “This is another attempt from ExxonMobil to deflect attention from its own unlawful deception,” a spokesperson for Bonta’s office said in a statement to The Hill. “The Attorney General is proud to advance his lawsuit against ExxonMobil and looks forward to vigorously litigating this case in court.” The Hill has reached out to the other defendants for comment.

Texas shrimper's legal victory spurs $50 million revival of fishing community

A historic $50 million Clean Water Act settlement led by Diane Wilson is revitalizing the Texas Gulf Coast, funding a fishing cooperative, oyster farm and environmental restoration efforts.Dylan Baddour reports for Inside Climate News.In short:Diane Wilson’s 2019 settlement against Formosa Plastics has funded $50 million in projects, including a $20 million fishing cooperative and environmental programs.The Matagorda Bay Fishing Cooperative is forming sustainable oyster farms and plans to purchase local seafood operations to empower fishermen.The settlement also mandated Formosa to halt plastic pellet discharges, resulting in penalties contributing over $24 million to Wilson's trust fund.Key quote:“They cannot believe I would do this for the bay and the fishermen. It’s my home and I completely refuse to give it to that company to ruin.”— Diane Wilson, environmental advocate and shrimperWhy this matters:The settlement has created economic opportunities and strengthened environmental safeguards, potentially setting a precedent for communities impacted by industrial pollution. Restoring livelihoods while reducing plastic pollution showcases how citizen-led activism can challenge corporate power.

A historic $50 million Clean Water Act settlement led by Diane Wilson is revitalizing the Texas Gulf Coast, funding a fishing cooperative, oyster farm and environmental restoration efforts.Dylan Baddour reports for Inside Climate News.In short:Diane Wilson’s 2019 settlement against Formosa Plastics has funded $50 million in projects, including a $20 million fishing cooperative and environmental programs.The Matagorda Bay Fishing Cooperative is forming sustainable oyster farms and plans to purchase local seafood operations to empower fishermen.The settlement also mandated Formosa to halt plastic pellet discharges, resulting in penalties contributing over $24 million to Wilson's trust fund.Key quote:“They cannot believe I would do this for the bay and the fishermen. It’s my home and I completely refuse to give it to that company to ruin.”— Diane Wilson, environmental advocate and shrimperWhy this matters:The settlement has created economic opportunities and strengthened environmental safeguards, potentially setting a precedent for communities impacted by industrial pollution. Restoring livelihoods while reducing plastic pollution showcases how citizen-led activism can challenge corporate power.

Rare, teeny tiny snail could be at risk from huge lithium mine under construction just south of Oregon

Environmentalists and Native American activists are demanding that the U.S. Interior Department address what they say is new evidence that bolsters their concerns about Lithium Americas’ planned open pit mine at Thacker Pass.

RENO — Opponents of the nation’s largest lithium mine under construction want U.S. officials to investigate whether the Nevada project already has caused a drop in groundwater levels that could lead to extinction of a tiny snail being considered for endangered species protection.Environmentalists and Native American activists are demanding that the U.S. Interior Department address what they say is new evidence that bolsters their concerns about Lithium Americas’ planned open pit mine at Thacker Pass. The footprint of mine operations will span about 9 square miles.The fate of the snail takes center stage after a federal judge and an appeals court dismissed a previous attempt by Native American tribes to get federal agencies to recognize the sacred nature of the area. The tribes argued that the mine would infringe on lands where U.S. troops massacred dozens of their ancestors in 1865.Now, Western Watersheds Project and the group known as People of Red Mountain argue in a notice of intent to sue that the government and Canada-based Lithium Americas are failing to live up to promises to adequately monitor groundwater impacts.They say it’s alarming that an analysis of groundwater data from a nearby well that was conducted by Payton Gardner, an assistant professor of hydrogeology at the University of Montana, shows a drop in the water table of nearly 5 feet since 2018. Nevada regulators say they have no information so far that would confirm declining levels but have vowed to monitor the situation during the mine’s lifespan.No water, no snailNot much bigger than a grain of rice, the Kings River pyrg has managed to survive in 13 isolated springs within the basin surrounding the mine site. It’s the only place in the world where the snail lives.In some cases, the tiny creatures require only a few centimeters of water. But the margin for survival becomes more narrow if the groundwater system that feeds the springs begins to drop, said Paul Ruprecht, Nevada Director for Western Watersheds Project.“Even slight disruptions to its habitat could cause springs to run dry, driving it to extinction,” he said.Western Watersheds Project and the other opponents say the U.S. Fish and Wildlife Service is violating the Endangered Species Act by failing to rule in a timely fashion on a 2022 petition to list the snail as threatened or endangered. The allegations outlined in the opponents’ notice follow requests for federal biologists to investigate whether groundwater drawdowns are being caused by exploratory drilling and other activities and whether there have been impacts to the springs.Without protection, Ruprecht fears the snail “will become another casualty of the lithium boom.”The Fish and Wildlife Service is conducting a review of the snail’s status, but the agency declined to comment on the requests for an investigation into the groundwater concerns.Poised to lead in lithium productionEfforts to mine gold and other minerals in Nevada and other parts of the West over the decades have spurred plenty of legal skirmishes over potential threats to wildlife and water supplies. Lithium is no exception, as demand for the metal critical to making batteries for electric vehicles is expected to continue to climb exponentially over the next decade.President Joe Biden made increased production of electric vehicles central to his energy agenda, and the U.S. Energy Department last year agreed to loan Lithium Americas more than $2 billion to help finance construction at Thacker Pass. On Dec. 23, Lithium Americas announced it had concluded a joint venture with General Motors Holdings LLC to develop and operate the mine.The mine about 30 miles south of the Oregon-Nevada border is the biggest in the works and closest to fruition in the U.S., followed by Ioneer’s Rhyolite Ridge project near the California line halfway between Reno and Las Vegas.And the Bureau of Land Management announced in late December that it was seeking comments on another proposed project in northeastern Nevada. Surge Battery Metals USA wants to explore for lithium in Elko County.Monitoring groundwaterRuprecht said reports filed by Lithium Americas’ environmental consultant with state regulators show the company no longer has permission to access private lands where several monitoring wells are located. That makes it harder to tell if flows have been impacted by past drilling, he said.Nevada regulators say they approved changes in 2024 to the monitoring plan to account for the loss of access to wells on private land.Prior data showed groundwater levels had remained stable from the 1960s to 2018. Construction started at the site in 2023.The Bureau of Land Management’s approval of the mine acknowledged some reduction in groundwater levels were possible but not for decades, and most likely would occur only if state regulators granted the company permission to dig below the water table.Lithium Americas spokesman Tim Crowley said it appears the mine’s opponents are “working to re-spin issues that have previously been addressed and resolved in court.” He pointed to 10 years of data collection by the company indicating the snail would not be affected by the project.-- The Associated Press

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