Buffoonery abounds in Imago Theatre’s deep-thinking ‘Mission Gibbons’

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Tuesday, April 16, 2024

Literally and hallucinogenically, “Mission Gibbons” is a trip. Specifically, a time-trip. After a trio of stoned backpackers cross paths with a clan of cavemen, the present daytrippers must forge an anachronistic alliance with the burly Stone Agers to stave off the apocalypse. Carol Triffle, co-founder of Imago Theatre, wrote and directs this absurdly enjoyable play, comically couching very real environmental concerns.“Mission Gibbons” runs through April 27 in the Southeast Portland performance space.The show:The minds behind the anthropomorphic-movement shows “ZooZoo” and “Frogz” have been on a creative roll throughout and despite the COVID pandemic. Imago co-founder Jerry Mouawad has produced an opera-theater piece, a comedy set in a roomful of rhinos, and a dreamy dive into insomnia (last fall’s “My Bedroom Is an Installation”).Triffle’s metaphysical musical, “Where’s Bruno?” opened about a year ago.“Mission Gibbons” isn’t as abstract as many of Imago’s past works. Still, Triffle said, “It’s hard to categorize. It’s definitely a play, but there are a lot of songs in it so you could almost call it a musical, but there’s more talking than singing.”Tragicomedy might be the best descriptor, she said — leaning harder into the humor.“It’s funny, but it’s also very deep at some points, when the cavemen actually talk about what’s going to happen to the world if they don’t find a plan to help it. And all the plans are sung,” Triffle said. “It’s really sad when you think about it, but then the sadness comes through as absurd or funny.”The post-Jurassic-World Triffle creates is kinetic. However, don’t expect the animal-inspired pantomime and dance maneuvers of “ZooZoo” and “Frogz,” though several actors in “Mission Gibbons” have appeared in those shows, and are trained in the Jacques Lecoq technique of theater movement.“There is an underlying basis of physical theater in it, but it’s not anthropomorphic in this play,” said Triffle.Buffoonery abounds. From the rough-and-(almost)-tumble way the hikers attempt to scale the mountain (a massive set-piece by Alex Meyer) to some Stone Age slapstick from Caveman Ueh (Kyle Delamarter), it’s go-time from curtain up.Carol Triffle is a playwright, director and co-founder of Imago Theatre in Portland. April 9, 2024.Beth NakamuraWho’s who:The six actors in “Mission Gibbons” have all worked with Imago before — and it shows. Throughout the opening night performance, cast members fiercely maintained their commitment to Triffle’s journey, and the exaggerated quirks of their characters.Anne Sorce, playing hiker Anna, seemed to be channeling Molly Shannon’s “Saturday Night Live” goofball Mary Katherine Gallagher by creepily, hilariously never breaking eye contact with the audience as she delivered every line.Anna even leaned in to sniff Caveman Ueh’s armpits.“Mmm. You smell like dirt. Fresh dirt.”What’s the Big Idea?“All of my plays have an underlying theme of ‘We gotta fix something,’” said Triffle. “Whenever I write, I start writing and then if something pops out at me and it starts feeling like I shouldn’t go there, then I go there. I don’t know why, but that’s been my life, for writing and for watching theater.”Lately, buried under the avalanche of bad news — “everything is a catastrophe, global warming or some other catastrophe is in every newscast” — Triffle felt helpless. Things were “getting to the point of ‘I want to do something, but I don’t know what to do,’” she said.She penned this play to give people ideas to consider how to change the future now. Absurdism is Triffle’s imaginative avenue into environmentalism. That mountain? It’s named Mount Plastic. We and the hikers learn it’s not a landform; it’s a landfill, made mostly of garbage.“I never realized how much plastic I used until I started doing this play,” Triffle said. “I do recycle but I don’t recycle all the plastic. (The play) hopefully just makes you think about that.”Triffle said that her mountain of pollution is meant to mirror the mass of plastic debris known as the Great Pacific Garbage Patch, floating between the coast of California and Hawaii.The messaging here is unabashedly unsubtle. But absurdism isn’t a wink and a nudge; it’s a slap and a tickle. Triffle generously swirls eco-activism with song, sci-fi twists and cheeky references to the opening scene from “2001: A Space Odyssey” and the goriest scenes from “Cocaine Bear.”Listen for:Music is a big element of this story. The tagline for the show is, “The time has come to listen to the cavemen sing.”“Anytime there is a ‘message’ they’re singing about it,” Triffle said. “I wrote the play and lyrics. Kyle did all the music composition.”Delamarter’s Cro-Magnon crooner Ueh belts out a couple of pop ballads that would shuffle nicely into a “Songs to Sing in the Shower” Spotify playlist.In the final number, as the cavemen mix harmonies with in-sync choreography, audiences may be witnessing Earth’s first boyband.Because they pre-date The Monkees.Line of the night:“You don’t have to be sad. It’s not opera!” shouts hiker Tina (Amy Katrina Bryan) near the optimism-fueled end of “Mission Gibbons.”What should audiences take away from the play?“You can walk away thinking and you can walk away laughing,” Triffle said. “We’re trying to maybe just help a little, and if everybody helps a little, maybe it will be a lot.”“Mission Gibbons”When: Continues 7:30 p.m. Friday-Saturday, 2 p.m. Sunday through April 27.Where: Imago Theatre, 17 S.E. Eighth Ave.Tickets: $23; www.imagotheatre.com.— Lee Williams, for The Oregonian/OregonLive

The tragicomedy by Carol Triffle, Imago co-founder, mixes eco-activism with absurdity as modern backpackers encounter a clan of cavemen.

Literally and hallucinogenically, “Mission Gibbons” is a trip. Specifically, a time-trip. After a trio of stoned backpackers cross paths with a clan of cavemen, the present daytrippers must forge an anachronistic alliance with the burly Stone Agers to stave off the apocalypse. Carol Triffle, co-founder of Imago Theatre, wrote and directs this absurdly enjoyable play, comically couching very real environmental concerns.

“Mission Gibbons” runs through April 27 in the Southeast Portland performance space.

The show:

The minds behind the anthropomorphic-movement shows “ZooZoo” and “Frogz” have been on a creative roll throughout and despite the COVID pandemic. Imago co-founder Jerry Mouawad has produced an opera-theater piece, a comedy set in a roomful of rhinos, and a dreamy dive into insomnia (last fall’s “My Bedroom Is an Installation”).

Triffle’s metaphysical musical, “Where’s Bruno?” opened about a year ago.

“Mission Gibbons” isn’t as abstract as many of Imago’s past works. Still, Triffle said, “It’s hard to categorize. It’s definitely a play, but there are a lot of songs in it so you could almost call it a musical, but there’s more talking than singing.”

Tragicomedy might be the best descriptor, she said — leaning harder into the humor.

“It’s funny, but it’s also very deep at some points, when the cavemen actually talk about what’s going to happen to the world if they don’t find a plan to help it. And all the plans are sung,” Triffle said. “It’s really sad when you think about it, but then the sadness comes through as absurd or funny.”

The post-Jurassic-World Triffle creates is kinetic. However, don’t expect the animal-inspired pantomime and dance maneuvers of “ZooZoo” and “Frogz,” though several actors in “Mission Gibbons” have appeared in those shows, and are trained in the Jacques Lecoq technique of theater movement.

“There is an underlying basis of physical theater in it, but it’s not anthropomorphic in this play,” said Triffle.

Buffoonery abounds. From the rough-and-(almost)-tumble way the hikers attempt to scale the mountain (a massive set-piece by Alex Meyer) to some Stone Age slapstick from Caveman Ueh (Kyle Delamarter), it’s go-time from curtain up.

Imago Theatre presents 'Mission Gibbons'

Carol Triffle is a playwright, director and co-founder of Imago Theatre in Portland. April 9, 2024.Beth Nakamura

Who’s who:

The six actors in “Mission Gibbons” have all worked with Imago before — and it shows. Throughout the opening night performance, cast members fiercely maintained their commitment to Triffle’s journey, and the exaggerated quirks of their characters.

Anne Sorce, playing hiker Anna, seemed to be channeling Molly Shannon’s “Saturday Night Live” goofball Mary Katherine Gallagher by creepily, hilariously never breaking eye contact with the audience as she delivered every line.

Anna even leaned in to sniff Caveman Ueh’s armpits.

“Mmm. You smell like dirt. Fresh dirt.”

What’s the Big Idea?

“All of my plays have an underlying theme of ‘We gotta fix something,’” said Triffle. “Whenever I write, I start writing and then if something pops out at me and it starts feeling like I shouldn’t go there, then I go there. I don’t know why, but that’s been my life, for writing and for watching theater.”

Lately, buried under the avalanche of bad news — “everything is a catastrophe, global warming or some other catastrophe is in every newscast” — Triffle felt helpless. Things were “getting to the point of ‘I want to do something, but I don’t know what to do,’” she said.

She penned this play to give people ideas to consider how to change the future now. Absurdism is Triffle’s imaginative avenue into environmentalism. That mountain? It’s named Mount Plastic. We and the hikers learn it’s not a landform; it’s a landfill, made mostly of garbage.

“I never realized how much plastic I used until I started doing this play,” Triffle said. “I do recycle but I don’t recycle all the plastic. (The play) hopefully just makes you think about that.”

Triffle said that her mountain of pollution is meant to mirror the mass of plastic debris known as the Great Pacific Garbage Patch, floating between the coast of California and Hawaii.

The messaging here is unabashedly unsubtle. But absurdism isn’t a wink and a nudge; it’s a slap and a tickle. Triffle generously swirls eco-activism with song, sci-fi twists and cheeky references to the opening scene from “2001: A Space Odyssey” and the goriest scenes from “Cocaine Bear.”

Listen for:

Music is a big element of this story. The tagline for the show is, “The time has come to listen to the cavemen sing.”

“Anytime there is a ‘message’ they’re singing about it,” Triffle said. “I wrote the play and lyrics. Kyle did all the music composition.”

Delamarter’s Cro-Magnon crooner Ueh belts out a couple of pop ballads that would shuffle nicely into a “Songs to Sing in the Shower” Spotify playlist.

In the final number, as the cavemen mix harmonies with in-sync choreography, audiences may be witnessing Earth’s first boyband.

Because they pre-date The Monkees.

Line of the night:

“You don’t have to be sad. It’s not opera!” shouts hiker Tina (Amy Katrina Bryan) near the optimism-fueled end of “Mission Gibbons.”

What should audiences take away from the play?

“You can walk away thinking and you can walk away laughing,” Triffle said. “We’re trying to maybe just help a little, and if everybody helps a little, maybe it will be a lot.”

“Mission Gibbons”

When: Continues 7:30 p.m. Friday-Saturday, 2 p.m. Sunday through April 27.

Where: Imago Theatre, 17 S.E. Eighth Ave.

Tickets: $23; www.imagotheatre.com.

— Lee Williams, for The Oregonian/OregonLive

Read the full story here.
Photos courtesy of

Lynx on the Loose in Scotland Highlight Debate Over Reintroducing Species Into the Wild

Scottish environmental activists want to reintroduce the lynx into the forests of the Highlands

LONDON (AP) — Scottish environmental activists want to reintroduce the lynx into the forests of the Highlands. But not this way.At least two lynx, a medium-sized wildcat extinct in Scotland for hundreds of years, were spotted in the Highlands on Wednesday, raising concerns that a private breeder had illegally released the predators into the wild.Two cats were captured on Thursday, but authorities are continuing their search after two others were seen early Friday near Killiehuntly in the Cairngorms National Park. Wildlife authorities are setting traps in the area so they can humanely capture the lynx and take them to the Edinburgh Zoo, where the captured cats are already in quarantine, said David Field, chief executive of the Royal Zoological Society of Scotland.The hunt highlights a campaign by some activists to reintroduce lynx to help control the deer population and symbolize Scotland’s commitment to wildlife diversity. While no one knows who released the cats, wildlife experts speculate that it was either someone who took matters into their own hands because they were frustrated by the slow process of securing government approval for the project, or an opponent who wants to create problems that will block the reintroduction effort.“Scotland has a history of illicit guerrilla releases,” said Darragh Hare, a research fellow at the University of Oxford’s Wildlife Conservation Research Unit, citing releases of beavers and pine martins. But doing it right, in a way that everyone can have their say, is important.“If there’s going to be any lynx introduction into Scotland or elsewhere, the process of doing it the right way, even if it takes longer, is the most important thing,” he added.Lynx disappeared from Scotland between 500 and 1,300 years ago possibly because of hunting and loss of their woodland habitat.Efforts to reintroduce the cats to the wild have been underway since at least 2021 when a group calling itself Lynx to Scotland commissioned a study of public attitudes toward the proposal. The group is still working to secure government approval for a trial reintroduction in a defined area with a limited number of lynx.Lynx are “shy and elusive woodland hunters” that pose no threat to humans, the group says. They have been successfully reintroduced in other European countries, including Germany, France and Switzerland.Supporters of the reintroduction on Thursday issued a statement deploring the premature, illegal release of the cats.“The Lynx to Scotland Project is working to secure the return of lynx to the Scottish Highlands, but irresponsible and illegal releases such as this are entirely counterproductive,” said Peter Cairns, executive director of SCOTLAND: The Big Picture, a group of rewilding advocates that is part of the project.The issues surrounding the potential reintroduction of lynx were on display during a Scottish Parliament debate on the issue that took place in 2023.While advocates highlighted the benefits of reducing a deer population that is damaging Scotland’s forests, opponents focused on the potential threat to sheep and ground-nesting birds.“Lynx have been away from this country for 500 years, and now is just not the time to bring them back,” said Edward Mountain, a lawmaker from the opposition Conservative Party who represents the Highlands.Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See - Sept. 2024

Will Biden Pardon Steven Donziger, Who Faced Retaliation for Suing Chevron over Oil Spill in Amazon?

Massachusetts Congressmember Jim McGovern calls on President Biden to pardon environmental activist Steven Donziger, who has been targeted for years by oil and gas giant Chevron. Donziger sued Chevron on behalf of farmers and Indigenous peoples who suffered the adverse health effects of oil drilling in the Ecuadorian Amazon. “I visited Ecuador. I saw what Chevron did. It is disgusting” and “grotesque,” says McGovern. “Donziger stood up for these people who had no voice.” In return, Chevron has spent millions prosecuting him instead of holding itself to account, he adds, while a pardon from the president would show that the system can still “stand up to corporate greed and excesses.”

Massachusetts Congressmember Jim McGovern calls on President Biden to pardon environmental activist Steven Donziger, who has been targeted for years by oil and gas giant Chevron. Donziger sued Chevron on behalf of farmers and Indigenous peoples who suffered the adverse health effects of oil drilling in the Ecuadorian Amazon. “I visited Ecuador. I saw what Chevron did. It is disgusting” and “grotesque,” says McGovern. “Donziger stood up for these people who had no voice.” In return, Chevron has spent millions prosecuting him instead of holding itself to account, he adds, while a pardon from the president would show that the system can still “stand up to corporate greed and excesses.”

Exxon sues California AG, environmental groups for disparaging its recycling initiatives

ExxonMobil on Monday sued California Attorney General Rob Bonta (D) and a group of environmental activist groups, alleging they colluded on a campaign of defamation against the oil giant’s plastic recycling initiative. The lawsuit, filed in the Eastern District of Texas, could signal a new legal strategy for the fossil fuel industry against environmentalists and...

ExxonMobil on Monday sued California Attorney General Rob Bonta (D) and a group of environmental activist groups, alleging they colluded on a campaign of defamation against the oil giant’s plastic recycling initiative. The lawsuit, filed in the Eastern District of Texas, could signal a new legal strategy for the fossil fuel industry against environmentalists and their allies in government. It argues Bonta defamed Exxon when he sued the company last September by alleging it engaged in a decades-long “campaign of deception” around the recyclability of single-use plastics. Bonta’s lawsuit accused Exxon of falsely promoting the idea that all plastics were recyclable. A report issued by the Center for Climate Integrity last February indicates only a small fraction of plastics can be meaningfully recycled in the sense of being turned into entirely new products. ExxonMobil claimed Bonta’s language in the lawsuit, as well as subsequent comments in interviews, hurt its business. “While posing under the banner of environmentalism, [the defendants] do damage to genuine recycling programs and to meaningful innovation,” the lawsuit states. The complaint also names four national and California-based environmental groups, the Sierra Club, San Francisco Baykeeper, Heal the Bay and the Surfrider Foundation, who sued the company at the same time as Bonta’s office. It accuses Bonta’s office of recruiting the organizations to file the suit. The lawsuit is another salvo in the company’s aggressive recent approach to critics after it sued activist investor group Arjuna Capital in 2024 over its plans to submit a proposal on Exxon greenhouse gas emissions. A Texas judge dismissed the lawsuit in June after Arjuna agreed not to submit the proposal. “This is another attempt from ExxonMobil to deflect attention from its own unlawful deception,” a spokesperson for Bonta’s office said in a statement to The Hill. “The Attorney General is proud to advance his lawsuit against ExxonMobil and looks forward to vigorously litigating this case in court.” The Hill has reached out to the other defendants for comment.

Texas shrimper's legal victory spurs $50 million revival of fishing community

A historic $50 million Clean Water Act settlement led by Diane Wilson is revitalizing the Texas Gulf Coast, funding a fishing cooperative, oyster farm and environmental restoration efforts.Dylan Baddour reports for Inside Climate News.In short:Diane Wilson’s 2019 settlement against Formosa Plastics has funded $50 million in projects, including a $20 million fishing cooperative and environmental programs.The Matagorda Bay Fishing Cooperative is forming sustainable oyster farms and plans to purchase local seafood operations to empower fishermen.The settlement also mandated Formosa to halt plastic pellet discharges, resulting in penalties contributing over $24 million to Wilson's trust fund.Key quote:“They cannot believe I would do this for the bay and the fishermen. It’s my home and I completely refuse to give it to that company to ruin.”— Diane Wilson, environmental advocate and shrimperWhy this matters:The settlement has created economic opportunities and strengthened environmental safeguards, potentially setting a precedent for communities impacted by industrial pollution. Restoring livelihoods while reducing plastic pollution showcases how citizen-led activism can challenge corporate power.

A historic $50 million Clean Water Act settlement led by Diane Wilson is revitalizing the Texas Gulf Coast, funding a fishing cooperative, oyster farm and environmental restoration efforts.Dylan Baddour reports for Inside Climate News.In short:Diane Wilson’s 2019 settlement against Formosa Plastics has funded $50 million in projects, including a $20 million fishing cooperative and environmental programs.The Matagorda Bay Fishing Cooperative is forming sustainable oyster farms and plans to purchase local seafood operations to empower fishermen.The settlement also mandated Formosa to halt plastic pellet discharges, resulting in penalties contributing over $24 million to Wilson's trust fund.Key quote:“They cannot believe I would do this for the bay and the fishermen. It’s my home and I completely refuse to give it to that company to ruin.”— Diane Wilson, environmental advocate and shrimperWhy this matters:The settlement has created economic opportunities and strengthened environmental safeguards, potentially setting a precedent for communities impacted by industrial pollution. Restoring livelihoods while reducing plastic pollution showcases how citizen-led activism can challenge corporate power.

Rare, teeny tiny snail could be at risk from huge lithium mine under construction just south of Oregon

Environmentalists and Native American activists are demanding that the U.S. Interior Department address what they say is new evidence that bolsters their concerns about Lithium Americas’ planned open pit mine at Thacker Pass.

RENO — Opponents of the nation’s largest lithium mine under construction want U.S. officials to investigate whether the Nevada project already has caused a drop in groundwater levels that could lead to extinction of a tiny snail being considered for endangered species protection.Environmentalists and Native American activists are demanding that the U.S. Interior Department address what they say is new evidence that bolsters their concerns about Lithium Americas’ planned open pit mine at Thacker Pass. The footprint of mine operations will span about 9 square miles.The fate of the snail takes center stage after a federal judge and an appeals court dismissed a previous attempt by Native American tribes to get federal agencies to recognize the sacred nature of the area. The tribes argued that the mine would infringe on lands where U.S. troops massacred dozens of their ancestors in 1865.Now, Western Watersheds Project and the group known as People of Red Mountain argue in a notice of intent to sue that the government and Canada-based Lithium Americas are failing to live up to promises to adequately monitor groundwater impacts.They say it’s alarming that an analysis of groundwater data from a nearby well that was conducted by Payton Gardner, an assistant professor of hydrogeology at the University of Montana, shows a drop in the water table of nearly 5 feet since 2018. Nevada regulators say they have no information so far that would confirm declining levels but have vowed to monitor the situation during the mine’s lifespan.No water, no snailNot much bigger than a grain of rice, the Kings River pyrg has managed to survive in 13 isolated springs within the basin surrounding the mine site. It’s the only place in the world where the snail lives.In some cases, the tiny creatures require only a few centimeters of water. But the margin for survival becomes more narrow if the groundwater system that feeds the springs begins to drop, said Paul Ruprecht, Nevada Director for Western Watersheds Project.“Even slight disruptions to its habitat could cause springs to run dry, driving it to extinction,” he said.Western Watersheds Project and the other opponents say the U.S. Fish and Wildlife Service is violating the Endangered Species Act by failing to rule in a timely fashion on a 2022 petition to list the snail as threatened or endangered. The allegations outlined in the opponents’ notice follow requests for federal biologists to investigate whether groundwater drawdowns are being caused by exploratory drilling and other activities and whether there have been impacts to the springs.Without protection, Ruprecht fears the snail “will become another casualty of the lithium boom.”The Fish and Wildlife Service is conducting a review of the snail’s status, but the agency declined to comment on the requests for an investigation into the groundwater concerns.Poised to lead in lithium productionEfforts to mine gold and other minerals in Nevada and other parts of the West over the decades have spurred plenty of legal skirmishes over potential threats to wildlife and water supplies. Lithium is no exception, as demand for the metal critical to making batteries for electric vehicles is expected to continue to climb exponentially over the next decade.President Joe Biden made increased production of electric vehicles central to his energy agenda, and the U.S. Energy Department last year agreed to loan Lithium Americas more than $2 billion to help finance construction at Thacker Pass. On Dec. 23, Lithium Americas announced it had concluded a joint venture with General Motors Holdings LLC to develop and operate the mine.The mine about 30 miles south of the Oregon-Nevada border is the biggest in the works and closest to fruition in the U.S., followed by Ioneer’s Rhyolite Ridge project near the California line halfway between Reno and Las Vegas.And the Bureau of Land Management announced in late December that it was seeking comments on another proposed project in northeastern Nevada. Surge Battery Metals USA wants to explore for lithium in Elko County.Monitoring groundwaterRuprecht said reports filed by Lithium Americas’ environmental consultant with state regulators show the company no longer has permission to access private lands where several monitoring wells are located. That makes it harder to tell if flows have been impacted by past drilling, he said.Nevada regulators say they approved changes in 2024 to the monitoring plan to account for the loss of access to wells on private land.Prior data showed groundwater levels had remained stable from the 1960s to 2018. Construction started at the site in 2023.The Bureau of Land Management’s approval of the mine acknowledged some reduction in groundwater levels were possible but not for decades, and most likely would occur only if state regulators granted the company permission to dig below the water table.Lithium Americas spokesman Tim Crowley said it appears the mine’s opponents are “working to re-spin issues that have previously been addressed and resolved in court.” He pointed to 10 years of data collection by the company indicating the snail would not be affected by the project.-- The Associated Press

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